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Ossett - the history of a Yorkshire town. My grandfather was a coal miner all his life. It was a difficult and dangerous occupation, yet essential for the development of industry in the U.K. Gallery? miners were judged so important that they were given exemption from military service in essays, WW1 and WW2. There were coal strikes at gallery, the pits in Ossett in 1893 and The Juxtaposition 1926 that I am aware of, and gallery probably others that haven't been documented. Girl? Although my grandfather didn't work in the Ossett or Gawthorpe mines, I am intrigued by the history of Ossett's coal industry, which employed a large proportion of the men in the town around the gallery end of the 19th century and byron poem) beyond. The Ident? The pits at old Roundwood, Gawthorpe and Shaw Cross were substantial and there were many more smaller undertakings dating back to the 1790s or earlier. The men who worked in these mines endured terrible working conditions and values accidents were common. Gallery? Much evidence of the many horrific mining accidents in the Ossett coal mines can be found in the archives of the ' Ossett Observer ' and I have reproduced just a few of the reported incidents in this account.

There were many more. It is said that in 1965, the NCB had records of tha good wife twenty-six different coal mines in gallery, Ossett. However, first indications suggest that there were many more mines than twenty-six and there were certainly many more mineshafts within the boundaries of the town, which have all now been properly filled up. Values? The old colliery workings at Low Laithes came to national prominence in March 1973 when it was found that a build-up of water in the old workings at the abandoned 19th century pits caused the terrible disaster at Lofthouse Colliery when seven men lost their lives from a huge inrush of water and the ident sludge. The Dream? It was later estimated that the old mine workings at Low Laithes had become an underground reservoir containing nearly 3 ½ million gallons of water. Shortly after the disaster, which happened at 2am the 21st March, a surface visit was made to the site of the old Low Laithes Colliery and it was found the Bye Pit was exposed and water could be heard falling down the shaft. It was also reported that the Engine Pit and Bull Pit were exposed and water could also be heard falling down them. There was little doubt that there was a direct relationship between the the ident inrush of water into the Lofthouse workings and the water pouring down these old shafts.

It is known that a coal mine was established at Gawthorpe as long ago as 1366 during the reign of Edward III. Above: Westfield Colliery circa 1880. On A Income Tax? Originally owned by Joshua Wilby and located close to the old GNER railway, which connected Ossett with Batley and Wakefield. When Wilby died in 1881, the colliery was purchased by Henry Westwood and Company. A relatively small mine, in 1896 it employed 56 underground workers and 11 surface workers.

The manager was Mr. J. Simpkin and the under-manager, Mr. J. Wilkinson. Smithson's New Park Colliery, Low Laithes. In 1743, James Fenton leased land to extract coal belonging to the Earl of Cardigan in the area surrounding Bushy Beck, near Low Laithes in the townships of Ossett-cum-Gawthorpe, Alverthorpe and the ident West Ardsley. In the event, only a small part of the coalfield was worked and that was in the Ardsley area, because of the difficulty in transporting the coal to the Calder, which was about four miles away. The first recorded pits in Ossett were probably in the Low Laithes area and date back to the 1790s. Robert Smithson (1747-1800) was a gentleman farmer and girl stereotypes maltster who leased Low Laithes Farm from the Earl of Cardigan like his family had done for years before him. Smithson leased land nearby his home at Low Laithes to develop his New Park, Kirkhamgate or old Low Laithes Colliery (as it was variously known) from 1796. In 1798, he and his Wakefield associate, cloth merchant John Charnock (1752-1811), opened their version of New Park colliery and 'Smithson's Tram Road' connecting it with the the ident gallery Calder and Essay Flattened Income Hebble Navigation at Thornes Wharfe, Wakefield.

The railway was horse powered and had L-section rails mounted on stone block sleepers. There was a parallel railway covering almost the same route to collieries (also confusingly called 'New Park Colliery') owned by Smithson's arch rival and Yorkshire coal-king, William Fenton. Gallery? Fenton's railway crossed Smithson's on the level near Wakefield, and for several miles higher up the valley towards the pits, the two lines actually ran side-by-side. Fenton's railway was powered by anime bullocks rather than horses. Robert Smithson died in 1800, and it is the ident gallery, said that his early death was partly as a result of the bitter business rivalry with William Fenton, which continued after his death.

For a few years, Smithson's collieries and tramway were run by a consortium of tha good wife trustees headed by Smithson's well-to-do cousin William Smithson (1750-1830) of Ledston Hall and later Heath; his own brother Joshua Smithson and his brother-in-law Thomas Preston of Halifax. In 1818, Robert Smithson's farm and malt business (valued then at £8,906) was bequeathed to his son, also Robert. The Ident? A three-quarter share in Smithson's collieries and values tramway (and the the ident gallery debts due to them) was passed to Smithson's youngest son Joshua Smithson (1791-1867) who continued with the coal business under difficult circumstances until he failed financially in 1850. During the early years, the relatively small numbers of colliers working in Smithson's pits can be illustrated in the case of Ossett-cum-Gawthorpe by the use of the poor rate assessments as a basis for rating of the number of colliery face workers. In 1820, Smithson's Gawthorpe colliery had fourteen face workers and there were five more at Paleside. By 1823, this had risen to eighteen at Gawthorpe and seven at Paleside. In 1833, there was a prolonged strike at tha good wife, Smithson's colliery in Ossett. An attempt was made to bring in 'blackleg' labour to replace the striking miners. Joshua Smithson described the plan as a complete turn-out of colliers. The 'blackleg' labour force was provided with houses and gallery even bedding. Many of the men brought their wives and families to the area.

It was noted that four of the 'blacklegs' sold the bedding that they had been provided with and ended up in front of the local magistrate accused of jetblue 5 core values theft. At the Bye Pit at gallery, Low Laithes, Ossett, records show that in 1844, four coal miners, who were aged between 60 and 70 years, earned on average, a weekly wage of £1-1s-3d each. However, at anime, Bye Pit No. The Ident? 5, seventeen colliers earned up to £1-5s-6d for an eight hour day. For this, they had to fill twenty corves (coal wagons) a day with coal. By the end of the 1840s, the colliers were being paid 3s-3d for getting one dozen of Income coal at the face and the ident gallery 3s for straitwork. Straitwork is the work involved in extending the tha good wife access tunnels to the area of the coalface. Fatal Colliery Explosion at Low Laithes - December 3rd 1859. Smithson's colliery had a low fatality rate, although in 1859 when the Low Laithes colliery business had been bought by Benjamin Roberts, there was a fatal accident at Bull Pit and this was recorded as follows:

Mr. Taylor, Coroner for the horour of Pontefract, held an inquest on gallery Monday evening, at tha good wife, Alverthorpe, near Wakefield, respecting the death of David Beacher. On the 28th November 1859. Beacher and another man, named Brown, were working together at a bank in the Bull Pit of the Low Laithes Colliery, belonging to the ident gallery Mr. Benjamin Roberts, under the direction of John Noble, the steward. Noble told the men to get the tha good wife coal until they got to the old works ; but he gave no orders about lamps, and they worked with naked candles. Both men placed their candles upon the edge of the solid coal, when the gas from the old workings fired at that of Beacher. The two men were badly burned but Beacher most severely. A third person, a burrier, was also burned.

Beacher died from his injuries on Saturday morning last. Verdict - Accidentally burned. There was no formal contract for gallery colliers to serve for a fixed period in Smithson's mines and they could leave their employment as and anime stereotypes when they desired. Of course, this arrangement worked both ways and coal miners could be summarily dismissed without comeback. These were the days before Unions were established. Between 1834 and 1850, Smithson made profits of £4,320 in nine of the years and losses of £3,690 in the other seven years. This left a net profit of only £630, or about £40 a year over the entire period. Clearly, the modest profits could not sustain the rentals and by 1850, the business had failed.

By 1850, Smithson had ten working pits in gallery, Ossett, close to where Low Laithes Golf Club is now situated. These pits all took coal from either the Haigh Moor seam or the vegetarian essays Gawthorpe seam. The first recorded instances of coal workings in the ident, Ossett date back to the 13th and 14th century after woodland was cleared and The Juxtaposition of Competitors coal was beginning to gallery be used as fuel. There were several day holes and simple mines located in various parts of The Juxtaposition Ossett. These pits were recorded in the Manor Court Rolls of Wakefield and examples are Rhode Pyttes, Coolepitt Close, Runtinge Pitts, Totteringe Pitts, plus many more unnamed workings. There are several references in the ident, the Court Rolls of the dream byron people mining for coal without the the ident required licence from the Lord of the Income Manor. In 1332, three Ossett men were each fined 6d for gallery not filling in Essay on A Tax, pits in the New Park and in 1339 all the inhabitants of Ossett were required to back fill all coal pits in the township that were worked out. In the 14th century the rolls record that Adam del Dene cut down trees, made waste the land, gardens and gallery houses, which his mother held as a dower for digging coal. Clearly coal was becoming an girl stereotypes important fuel not just for heating homes but as a fuel for gallery industrial use such as the making of iron. Ironstone digging and smelting was an important local industry at around this time and was first carried out in tha good wife, the New Park. The Ident Gallery? In 1332 Adam de Gaukethorpe and William Carpenter were charged with digging an iron mine without a licence in the bond lands of the Lord of the Flattened Income Tax Manor and were fined 3d each.

John Sonman paid the Lord of the gallery Manor 12d for a licence to dig a mine in Gawthorpe for stones to be used for iron smelting. The first 1:10,560 large scale OS map of tha good wife Ossett was published in 1851 and from that map, it is possible to identify most of Smithson's pits at Low Laithes. In addition there were several other coal mines in Ossett listed on the ident gallery the map. The following listing is an attempt to identify all the known coal mines in Ossett. There are many others, not listed here, identified only as 'old coal pit' and shown clearly within the town boundaries of Ossett on historic OS Maps. Some of these may have been shallow bell pits and it is known that when the underground reservoir along Chidswell Lane in Gawthorpe was excavated in 1877, between 200 and 300 tons of coal were removed and sold on behalf of the Local Board. The first eight mines listed here were part of the old Joshua Smithson undertaking at Low Laithes, which had been bought out by Benjamin Roberts after Smithson failed financially. The pit shafts were geographically separated by some distance, especially those located in the area of Gawthorpe. 1. Engine Pit(No. 1), Low Laithes - 35 yards to the Haigh Moor seam, owned by J. Roberts from 1850. 2. Bye Pit(No.

2 ), Low Laithes - 141 yards to the Haigh Moor seam and 71 yards to the Gawthorpe seam, owned by J. Byron Poem)? Roberts from the ident, 1850. 3. Barron's Pit (No. 6), Low Laithes - 120 yards to the Haigh Moor seam and 50 yards to the Gawthorpe seam, owned by J. Roberts from 1850. 4. Barron's Pit (No. 4 ), Low Laithes - 55 yards to the Gawthorpe seam, owned by The Juxtaposition of Competitors J. Roberts from 1850. 5. Bull Pit (No. 7), Low Laithes - 140 yards to the Haigh Moor seam, owned by J. Roberts from 1850. 6. Lower Park Farm, Gawthorpe - 120 yards to the Haigh Moor seam, owned by J. Roberts from 1850.

7. The Ident? Lodge Hill, Gawthorpe (Nos. 42 and 43) - 30 and 18 yards respectively to the Top Haigh Moor seam, owned by J. Roberts from 1850. 8. New Lodge Colliery, Gawthorpe - owned between 1855-1889 by George and John Haigh and tha good wife was most probably Lodge Hill (above). In 1874, the manager of the colliery, William Haigh and two under-managers, John and Isaac Oates were prosecuted at gallery, Dewsbury Petty Sessions for offences brought by the government inspector of mines, Mr. Wardell after a fatal colliery explosion in vegetarian, the pit that led to the death of gallery Burman Lister, which could have been avoided.

FATAL COLLIERY EXPLOSION 1 - On Saturday evening, a hurrier, named Burman Lister, of Ossett Street Side, near Dewsbury, died from the jetblue values effects of an explosion of firedamp at the Gawthorpe Colliery on the previous afternoon. Deceased and a miner named Samuel Waterhouse had completed their day's work and were coming down one of the main roads with corves when the gas fired and both were severely burnt. The Ident Gallery? Waterhouse had on a flannel shirt and he suffered less from the tha good wife scorching flames. The one Lister wore was of the ident cotton and it was burnt off his back, which along with his arms, breast and face, was terribly scorched. The explosion caused great excitement among the miners and the injured men having been brought to the surface, the others were raised without delay. Lister died, as above stated, on Saturday evening. The explosion was caused by tha good wife gas coming into to contact with a naked light, which was carried by the deceased as he and Waterhouse were walking down the hurrying road. GROSS CARELESSNESS AT A WEST RIDING COLLIERY 2 - Yesterday an adjourned inquest was held at Ossett Street Side, near Dewsbury, on the body of Burman Lister, coal miner, of that village who was killed by the ident an explosion of gas at Messrs. Haigh's colliery, Gawthorpe on values the 4th inst.

Mr. Wardell, government inspector of mines, watched the proceedings, as also did Mr. Pickard, secretary of the West Riding Miners' Association. The Ident Gallery? Evidence was given that on the 4th inst., about half-past one, the deceased and another youth named Waterhouse came along the main air-road with lighted candles, they having ceased work for the day. On arriving at Income, a drift or slit, the deceased went up, taking his naked light with him. Gallery? An explosion followed and both youths were severely burnt, the deceased fatally.

It transpired at the inquest that a labourer had several weeks ago received instructions to build a wall some distance up the drift, but to leave a hole, a foot square for ventilation. This he did, but about ten days before the accident he filled up the hole with dry bricks, not knowing, he told the jury, that he was doing anything wrong. As it was stated that Waterhouse was in a very precarious state and unfit to be examined, the inquiry was further adjourned. THE LATE FATAL COLLIERY EXPLOSION AT GAWTHORPE 3 - Yesterday, the adjourned inquest was held on the body of Burman Lister, hurrier, who died on on A Flattened Tax September 5th from injuries he received the previous day at Gawthorpe Colliery, through an explosion of fire-damp. From the the ident gallery evidence, it appeared that the deceased and 5 core values a young man named Waterhouse were coming down the hurrying road and when opposite a disused working they both stopped and Waterhouse began to dress himself, having previously stuck a lighted candle in some clay on the corve.

Lister took the candle up and said he would go to the drift and look at the ident gallery, the air pipes, as he could smell something. His companion told him to keep the candle down. The deceased had just entered the tha good wife drift when the explosion took place and they were both severely burnt. The jury recorded a verdict of the ident gallery Accidental Death. COLLIERY PROSECUTIONS AT DEWSBURY 4 - At the Dewsbury Petty Sessions, yesterday, William Haigh, of West Ardsley, the certified manager of the Gawthorpe Colliery was charged with neglecting to inspect the mine.

John and Isaac Oates, underviewers, were summoned for - the vegetarian one for neglecting to the ident enter in a book kept for the purpose, the state of the mine and tha good wife the other with neglecting to the ident gallery fence off a drift in which there was an accumulation of inflammable gas and with neglecting to exhibit a danger signal there. Through this neglect an explosion of gas took place in the pit on the 4th of of Competitors September, resulting in the ident gallery, the death of one collier and in another being frightfully burnt. Haigh was fined £5, or two months imprisonment; Isaac Oates £3, or three months and jetblue 5 core values John Oates £2, or two months. In the course of the hearing it transpired that the report book had not had a single entry made in it until three days after the the ident gallery explosion. Burman Lister was just 16 years of age when he died.

Samuel Waterhouse lingered on a few weeks before he also died from the burns he had received in the accident. The five pound fine that William Haigh, the colliery manager received is the equivalent of about £360 today on the basis of RPI inflation. (lord Byron Poem)? Less than four months later, another miner would lose his life at Gawthorpe Colliery as a result of a terrifying fire in January 1875: A COLLIERY ON FIRE 8 - Fire was discovered to have broken out on Friday (8th January 1875) in the colliery at Gawthorpe, near Dewsbury, belonging to Messrs. J. and G. Haigh, and it is believed was caused by a hurrier boy accidentally igniting a canvas brattice by his lighted candle. The Ident Gallery? Seventy men and boys were in the mine at the time and vegetarian essays great alarm was occasioned, as the flames spread to a quantity of wood and then set fire to the face of the coal.

The miners and hurriers rushed along the ways as the alarm spread and getting to the pit eye, were drawn up as quickly as possible. One, however, was left behind and he was subsequently found lying dead at some distance from his working place, apparently having been suffocated. His name was Richard Oldroyd, aged 39, and he leaves a widow and the ident children. One of the miners that had got to know that a fire was raging, called to Oldroyd as he ran past his working place, but the deceased was rather deaf, and it is supposed he did not hear the warning cry of The Juxtaposition his fellow worker, and was not made aware of the danger until he felt the suffocating gas. The body was discovered by the ident an exploring party and in a place where, if he could have gone four yards further, he would have had a stream of fresh air. The progress of the flames was arrested in the course of the day by stoppings being built and tha good wife there is reason to believe that the fire has been extinguished. In the ' Ossett Observer ' 24th November 1888, the following piece was printed concerning a colliery strike and it gives us an idea of the size of the colliery and the attitude of the owners to their workforce:

The miners employed at gallery, Messrs G J Haigh's Gawthorpe Colliery, about 30 in number, recently went on strike for a 10% advance in wages. The advance was conceded by the Yorkshire colliery owners generally, but Messrs. Vegetarian Essays? Haigh did not see their way to follow the example and consequently the strike still continues. Subscriptions have been gathered and levies received from gallery, other collieries in support of the men on Essay on A Flattened Income Tax strike. The strike was still going on the ident gallery into early December 1888, but after that there was no further word, so it is likely that the men returned to jetblue values work, maybe in time for the ident gallery Christmas? 9. Wheatley's Colliery , Shepherd Hill, Flushdyke. In 1831, a Wakefield barrister and land speculator, Thomas Foljambe (1775-1851) purchased land at tha good wife, Hagg's Lane, near to Woollin's Roundwood mine, which he rented to another Wakefield man, Samuel Rhodes, for the ident the purpose of mining for coal. In 1833, Foljambe had built his grand residence Holmefield House in Wakefield. Rhodes paid Foljambe an annual rental of 6% of the jetblue values original purchase price and in the ident gallery, 1831 Rhodes was selling 10 tons of coal per day, with another 20 tons per week going to girl a regular customer. Rhodes also sold 2 barge loads of coal (90 tons) per week, which had to be shipped from the the ident gallery colliery to the nearest canal in Wakefield. Rhodes died in early 1838 and by 1839, his widow had gone bankrupt.

The colliery was then taken over by Charles Locke, whose family had recently sunk a new pit at nearby Snapethorpe, Wakefield. The colliery was eventually bought by Charles Wheatley (1813-1900) who had been working a colliery at nearby Ossett Common (probably Lights Colliery) in The Juxtaposition of Competitors, 1836. Wheatley was a Mirfield colliery owner with significant land holdings in Ossett, some of which he had inherited from the Haigh family, who were also coal masters. In 1851, Wheatley had 110 men and the ident gallery 140 boys working in his coal mines. The Ossett colliery at Shepherd Hill was likely to be a relatively small undertaking and jetblue values may even have been a day hole, which was simply a drift mine dug into the side of a hill. Wheatley was still working the Shepherd Hill colliery in 1854 with a steam engine and his rateable value was £36.

Wheatley's colliery is likely to have closed down in the mid to late 1850s and was not working in1869. Wheatley was by then operating the Hagg Wood and Whitley Wood day holes in Dewsbury; the Bradley and Helm coal mines in the ident gallery, Huddersfield and 5 core values the Ledgard Bridge and Calder Day Holes at Mirfield. The latter mine, with an entrance on gallery the bank of the canal close to Greenwood Lock, was driven into jetblue values, the hillside below Sands House, Wheatley's opulent Mirfield residence. By 1871, Charles Wheatley formed the Mirfield Colliery Company with Robert Barraclough and gallery John Nevin and his mining operation in the dream (lord poem), Ossett was finished. 10. Mount Pleasant Colliery , Shepherd Hill, Flushdyke was worked in the 1870s. 11. Love Lane Colliery , Love Lane, Pildacre. 12. Gallery? Greaves Colliery , off Bridle Lane, Gawthorpe. Owned between 1855-1872 by Wilson and Co. but then was called Gawthorpe Colliery and was probably Greaves Colliery, which was owned by Joshua Greaves prior to the dream byron poem) 1855.

The pit finally closed 1872. 13. Streetside Colliery , behind the Red Lion Public House, Dewsbury Road and was owned first by Abraham Greaves until his death in 1843 and then by Ossett coal masters Joseph Greaves and Joshua Greaves. The colliery had four face workers in the ident gallery, 1836. 14. Old Roundwood Colliery , was probably first known as John Woollin's Hagg's Lane Colliery and a plan exists of this site dating back to 1812. The original Roundwood colliery was located close to the Ossett and Alverthorpe boundaries near to vegetarian the top of Shepherd Hill at Flushdyke where mining had been carried on back to gallery at least the essays 14th century. The Woollin family worked Low and Scale coal there until giving up the gallery lease in approximately 1839. The colliery at Roundwood first established in 1847 by Terry, Dawson and Greaves was said by John Oldroyd Greaves to be a very small affair at the top of Flushdyke Hill about jetblue 5 core, one mile to the ident the north of the essays later Roundwood colliery. The Ident Gallery? They had simply taken over the workings of a smaller, older pit, partially worked some years previously.

The older pit was most likely Woollin's pit, closed in 1839. In 1847, Wakefield mining engineer, John Oldroyd Greaves (1824-1916), the son of stereotypes Ossett coal master Abraham Greaves (1794-1842) founded the Old Roundwood colliery with two other investors in the name of Terry, Dawson and Greaves. John Greaves had been articled to John Walker, the gallery Wakefield based mining and civil engineer for five years in the 1840s and, for a short time after qualifying, had been manager of a colliery in Stanley owned by Robert Hudson and Co. The other partners in the concern were Benjamin Terry (1818-1882), who was born in Gawthorpe, the son of Percival Terry and (lord William Anson Smith Dawson of Wakefield. Benjamin Terry became a law pupil at the ident gallery, Haigh's, a Horbury firm of solicitors. After qualifying, Terry joined the firm of Carr, Nettleton and Terry as a partner and then moved to Bradford in The Juxtaposition, 1844 setting up first in business in gallery, his own right and by 1864 as Terry Watson, Solicitors. In 1846, he married Alice Cooper Dawson in Wakefield, who may have been related to his partner William Dawson. Terry entered public life and the dream (lord poem) he served at the ident gallery, one time as an Tory alderman of Bradford Council. He lived in some style at Barkhill House, Idle and on A Income when he died in 1882, he left an estate worth £40,000 (a considerable sum in those days) plus a generous £500 per year annuity for his widow.

Not much is gallery, known about William Anson Smith Dawson, the third partner in the enterprise. In the 1851 census, Dawson is unmarried and jetblue living at Roundwood, Alverthorpe with a house servant Ann Peace. He is listed as a coal proprietor employing 12 miners, 12 hurriers, 2 banksmen, 1 blacksmith, 1 boy and 1 woman, which may well refer to gallery the operation at jetblue 5 core values, Roundwood colliery. His secondary occupation is that of a farmer of 19 acres, employing 1 man, 1 lad and door (sic) labourers. He was aged 25 years in the ident, 1851, having been born in 1826 at nearby Stanley, a village on the outskirts of Wakefield. However, by May 1953, Dawson had dropped out of the business and he died in Bradford in the summer of 1854, to vegetarian essays be replaced by Watson Scatcherd, a Morley lawyer and squire. The three partners each putting up a sum of £500. In 1857, after Scatcherd had died in 1855, the accounts showed that Terry had advanced £1,150, Greaves the same and Scatcherd £950. When Scatcherd died, the business was carried on as Terry, Greaves and Co.

When Benjamin Terry died in 1882, his two daughters continued in business with Greaves until a limited company was founded until 1908. Benjamin Terry (or his daughters) and John Greaves never entered into a formal partnership since both men trusted the other implicitly and no legal agreement was ever needed. Perhaps as a result of the death of Scatcherd, the partners considered selling the colliery in 1857. At this time, they also owned Manor Colliery, which was located on Ossett Common but was definitely not the colliery on Cross Lane in Wakefield, which co-incidentally, Terry, Greaves and Co. did purchase much later. The Gawthorpe seam, which was the top portion of the the ident gallery well-known Barnsley seam and about three feet thick was mined originally, but this didn't last long. The pit was in profit and balance sheets for Roundwood for 1857 and Income 1858 reveal profits of £1,702 and £2,032 respectively.

However, if they were to the ident continue, some serious decisions had to be made. Instead of selling up, Greaves and Terry decided as early as 1853 to girl develop Roundwood significantly by sinking two new shafts, a mile to the south of the original Flushdyke pit and close to the Wakefield - Ossett boundary. This would be the better-known location of Roundwood colliery at the top of Queen's Drive where coal would be worked for the ident another 100 years or more. The second significant decision was to establish a railway link to vegetarian Roundwood and an agreement was made in July 1860 with the gallery Bradford, Wakefield and Leeds Railway to build a mineral railway link to the Ossett Branch so that coal could be transported from Roundwood to more distant markets. At this time, there were still tolls on the Wakefield - Halifax turnpike, which all traffic going from Roundwood downhill to Wakefield had to negotiate.

However, in 1867, the firm advertised that it had agreed for tha good wife tolls on coal beyond Westgate Moor Bar on the turnpike road to the ident gallery be removed. Poem)? The new railway link to Roundwood was opened in the ident gallery, January 1862 and for goods and passengers to anime girl stereotypes a temporary terminal station at Flushdyke in April 1862. In 1860, two new shafts were sunk to the levels of the top and low Haigh Moor seams at 140 and 150 yards respectively. The Ident? These shafts were of the Engine Pit at 9 feet diameter and the Bye Pit at 10 feet in diameter. Both shafts were walled with brick 5 inches thick with four water conduits behind the brickwork. The Engine Pit was sunk five yards below the bottom of the coal to essays form a sump and the Bye shaft was widened to 13ft at the bottom. John Oldroyd Greaves continued with the management of Roundwood colliery but by March 1874, the partners agreed to sell Roundwood colliery to Thomas Stammers Webb of London and Cardiff.

There had been a period of prosperity in the coal industry prior to 1874, but from 1874 there was a period of the ident gallery continued depression. Webb agreed to 5 core take a 5-year lease on Roundwood, with power to gallery take on a 31-year lease for £35,000, the vendors agreeing to work the 5 core values colliery and pay any profits to gallery Webb if he had first paid an initial £1,000 to them. Webb formed a new company, The Consolidated Collieries Co. Tha Good Wife? Ltd. with a proposed capital of £180,000 in £10 shares. The plan was for the company to take over three collieries - the the ident gallery New Forest Colliery in Neath, Glamorgan and the dream (lord byron poem) the Bush Colliery, near Cardiff were the the ident gallery other two. In the tha good wife event, the venture never got off the ground because of the deepening depression in the coal industry during 1876.

By 1885, John Oldroyd Greaves was very ill and wasn't expected to live very long, but he eventually recovered and lived on in good health until 1916. Gallery? In the event, his 17 year-old son Percy Christian Greaves (1868-1957) was forced to values leave school and the ident take charge of the family business, which he found in a parlous state. Percy Greaves had been born on Christmas Day 1868 and was educated at Lockers Park School, Hemel Hempstead before going firstly to byron Wakefield Grammar School and then to Tonbridge School in Kent. Percy Greaves was equal to the difficult task and applied his talents energetically to the running of Roundwood colliery. In July 1892, he obtained a first-class certificate as a colliery manager under the Coal Mines Registration Act of 1887. At the time he was living at 69, Westgate, Wakefield with his parents. In 1889, Percy Greaves was responsible for the sinking of the the ident gallery new upcast shaft to a depth of 200 yards to the Silkstone seam.

During the sinking of essays this new seam, in the ident, June 1888, two men were to lose their lives. The 'Ossett Observer' dated June 23rd 1888 gives the following account: On Wednesday last a shocking fatality occurred at Roundwood Colliery, Wakefield Road on of Competitors Essay the boundary of Ossett. At present the Haigh Moor seam of coal is being worked, at a depth of 160 yards from the surface; but the proprietors of the colliery, Messrs. Terry and Greaves, are sinking about 190 or 200 yards further, in order to reach the Silkstone seam. The new sinking is being made as a continuation of the upcast shaft, which is 12ft in diameter; it has already progressed some 40 yards downward, and is expected to be completed this year. On Wednesday morning about half a dozen sinkers were at work, and they had come up the shaft to the surface whilst some shots were being fired for blasting purposes. After the shots went off, three of the men got into the ordinary hoppet or bucket, and were lowered down the the ident shaft by the engineman.

In descending they had to pass the mouth of a ventilating furnace and there is some reason to suppose that this may have induced them to change their position in the hoppet. This would possibly cause some additional oscillation of the hoppet, which almost immediately struck the corner of the vegetarian arch in the Haigh Moor seam. All three men were thrown out, but one of them, named Patrick O'Brien, of Wakefield, managed to clutch the edge of the hoppet. One foot of another was caught by O'Brien, who was, however, unable to hold it. Two men consequently fell a depth of about 40 yards to the bottom of the newly sunk portion of the the ident shaft, and were doubtless killed instantly. The Juxtaposition Essay? O'Brien, however, reached the bottom in safety. The deceased men were Mathew Harrison, aged 32, married, of Ashton-under-Lyne, and George Geary, aged 20, single, of Wakefield. Harrison had only the ident gallery, commenced working at the colliery the previous day.

In November 1897, John Oldroyd Greaves, who by now was no longer involved in the active management of Roundwood colliery made two of his sons, Percy Christian Greaves and John Henry Greaves (born 1871) partners in the family business of land agents, mining engineers and colliery proprietors. Greaves senior had bought the Snapethorpe Hall estate in Wakefield on behalf of the colliery partnership in November 1891. Meanwhile, Percy Greaves, despite his tender years, was able to take the running of the family business in the dream (lord byron poem), his stride and he soon became one of the leading mining experts in northern England. Percy Greaves' obituary that appeared in the ident gallery, the The Times newspaper on Friday, 25th October 1957 says this of him: comparatively few days passed when he was not to be seen at the pit-head or down the shaft of one of his own collieries or one of those of the many people who readily consulted him as, perhaps, the best known mining engineer in the north. His pride in his own pits was unbounded. He knew the men and their problems personally. He was at the forefront in the introduction of Essay on A Tax new methods, making for safety and the ident efficiency, and the dream (lord poem) it was his proud boast, evoking the sincere admiration of his many friends that, from 1886 until the nationalization of the mines (1947), none of the groups of collieries under his control had ever suffered a single strike apart from the national strikes, which affected the whole country. By 1896, the manager of Roundwood was Mr. F. The Ident Gallery? Flint, and the under-manager was Mr. H. Farrant.

There were 619 underground workers and 5 core values 129 surface workers. By 1945, ownership of Roundwood was still with Terry, Greaves and Co., Wakefield, but the gallery colliery was now managed by Mr. H. H. Burton with two under-managers. Anime Girl? Mr. H. Newell and the ident Mr. J. Morley. There were now 521 underground workers and 120 surface workers. Above: Picture of Old Roundwood Colliery from the early 1900s.

The building on anime the right-hand side of the gallery picture is a brickworks. The brickworks was subsequently closed, but it was proposed to reopen them to produce building bricks for Ossett's council house building programme in the 1920s and 1930s. 5 Core Values? In the event, this never happened and bricks were sourced elsewhere. In June 1895, the ' Ossett Observer ' published details of the ident An Alarming Accident at Ossett Collieries - Two Cages in Collision - Miner fatally injured. The account, reproduced below gives a good insight into the working conditions at Old Roundwood: On Thursday morning, an anime accident of a serious and unusual nature occurred at the Ossett Roundwood Collieries (Messrs. Terry, Greaves and Co.) There are three seams of coal, worked by means of three separate shafts. One of these shafts, about 350 yards deep, passes through the Cannel seam at a depth of 240 yards, and the ident gallery goes down to the Silkstone. About 160 men and boys are employed in the Cannel seam, and among these was Richard Renshaw (35), a married man, residing in Teal Street, Ossett.

Renshaw was a hanger-on in the Silkstone seam, and about quarter past six o'clock in the morning, he was ascending in one of the cages, a two-decker, to the Silkstone landing. The cages are guided by thimbles working on wire conductors of girl 1.5 inches in diameter. Through some unexplained cause, the ascending cage came into contact with the brickwork at the side of the gallery shaft, and almost immediately afterwards collided with the descending cage. Owing to the velocity with which the cages were travelling, the collision damaged both, and gave a terrible shock to poor Renshaw, who was in the descending cage alone. He eventually reached the bottom in a helpless and paralysed condition suffering from spinal injuries. Jetblue 5 Core? He was taken up another shaft to the ident the surface, and removed to his home, where he died the same evening. Work in the Cannel seam had to be suspended for two days.

At the inquest, which was held at the Little Bull Inn, Teal Street, it was concluded that it had never been know for the cages to catch before, but evidently they had caught this time. It was an unforeseen event and (lord nobody could be held responsible, although something could be done to prevent a recurrence. They returned a verdict that the unfortunate deceased was accidentally injured. An extension of the Ossett borough boundary in 1900 brought Roundwood Colliery, owned by Terry, Greaves and Company Limited into the town. Mining ceased at this pit in April 1966. Above: The biggest colliery in the ident, Ossett was Old Roundwood, so named in 1901 to avoid confusion with another Roundwood Colliery that had opened in South Yorkshire, which had suffered financial difficulties. Roundwood was opened in 1847 and finally closed in 1966. Roundwood had 619 underground workers and 129 surface workers and attracted workers from all parts of the area surrounding Wakefield. Anime Girl? Many miners from the Barnsley coalfields moved to Roundwood and settled in the Ossett Spa area.

Roundwood Colliery was a large concern and mined the Cannel, Haigh Moor, Lupset, and Silkstone (new Hards) seams. It was noted in the 'Ossett Observer' dated 20th March 1948 that the following accident occurred at Old Roundwood: Twelve miners at Old Roundwood Colliery were injured, including two men with broken legs, when the cage taking them down to the Silkstone Seam for the night shift got out of control for gallery the last 40ft of the descent and crashed into the sump boards. The engine winder had fainted at tha good wife, the controls in the ident, the engine house. Like all other British collieries, Roundwood was nationalised in 1947 and jetblue became part of the National Coal Board empire. Old Roundwood colliery was finally closed in April 1966. Above: View of the ident gallery Roundwood Colliery from the top of Queens Drive in the 1960s.

After the on A Flattened pit was demolished, what is now the Holiday Inn was built on part of the gallery old pit site. 15. Thorn Tree Pit , Low Laithes adjacent to the Great Northern (LNER) railway line. The 16th green of Low Laithes golf course is believed to be located on the site of Thorn Tree pit. 16. Dewsbury Lane was opened before 1856 and closed in vegetarian, 1877. Owned between 1856-1870 by W. Hallas and the ident gallery between 1862-1876 by W. Gartside. It was reported that in December 1871, a collier's supper was held in the George Hotel, Ossett for the miners at Mr.

Gartside's colliery, which is likely to have been Dewsbury Lane colliery. The meal was for members of the colliery Sick and Accident Club, which was funded by the miners themselves from weekly subscriptions to of Competitors Essay pay the members during times of sickness. In 1871, there had been no accidents at the ident gallery, the colliery and the dream (lord only £134 had been paid out in sickness benefit. The managers of the colliery, Messrs. T. Westwood and J. Wilkinson were praised by the men for their work at the colliery. Thirty-six members of the club were present at the supper, suggesting a fairly small coal mine. 17. Field Lane Colliery , Gawthorpe near to the Flying Horse public house.

The Field Lane colliery was worked by Joshua Greaves and after his death, in 1861, it was offered for sale in February 1862. The advertisement in 1862 mentioned that the colliery was powered by a steam engine and that there was a 3ft seam of the ident coal at a depth of 30 yards with three leases - two expiring in 1877 and girl stereotypes one in 1881. It appears that when the two leases expired in 1877 that the colliery was closed down. Some more details about Field Lane Colliery following a particularly suspicious accident resulting in the death of gallery 19 year-old Richard Broad: 5. WANTON OUTRAGE NEAR DEWSBURY - A MAN KILLED: On Thursday night last, an inquest was held at the Shoulder of Mutton Inn, Gawthorpe, before Mr. Taylor, coroner, on the body of Richard Broad, who met with his death after falling down a pit shaft on the previous Tuesday. Stereotypes? Mr. Morton, the Government inspector of the ident mines, was in (lord byron, attendance and the ident watched the case, in consequence of the pit rope having been maliciously cut. The evidence went to show that the deceased was employed at Field-lane Colliery, Gawthorpe and had charge of the pumping engine.

At this colliery there are two shafts, one used as a pumping and downcast and the other as as an upcast and drawing shaft. The only apparatus for reaching the bottom of the 5 core values former is a windlass and a rope an inch and the ident a quarter in diameter, and when men wish to vegetarian go to the bottom, they attach a man-loop to the end of the gallery rope. This man-loop consists of a piece of tough and strong wood, about thirty inches long, and near the the dream (lord ends are two holes about an inch and a half in diameter. Through these holes are drawn a piece of hempen rope an the ident gallery inch and a quarter in diameter, and the ends are securely fastened underneath. On the byron poem) day in question the deceased used this loop, examining it before he did so, and, having placed himself astride, he was lowered by two men to the bottom with a few tools where he repaired the pump clack. Having finished his work, he gave the the ident signal for ascending, and Flattened Tax was raised to within half a yard of the platform, when the the ident rope of the man-loop gave way at once close to vegetarian essays both holes, and he was precipitated to the bottom.

He was alive when reached, and was removed home; but he died within a few hours. Broad sustained a fractured thigh, a fractured rib (one portion of the rib was driven into the lung) and gallery a large scalp wound. The Juxtaposition Of Competitors? Dr. Thornton, Church St,, Dewsbury and Mr Greenwood, Surgeon, Ossett attended. The broken rope was examined by the jury and was unanimously pronounced to have been cut. Gallery? It ought to have borne half a ton without danger. The deceased was a small, spare youth of tha good wife nineteen years of age.

An open verdict was returned. In the the ident gallery meantime the police are making active inquiries in the matter. No person was criminated by the evidence offered to the inquest. 18. Ossett , owned by Messrs Haigh - but as yet unidentified. 19. Crownlands Collier y, possibly the site of Northfield Colliery, which was owned by Westwood and Co. 20. The Dream? West Field , owned by Joshua Wilby when it was opened in 1863. The colliery closed in 1908.

In 1896, the owner was Westwood and Co., Ossett. Manager: J. Simpkin, Under-Manager: J. Wilkinson. In 1896 there were 56 underground workers and 11 surface workers. West Field colliery mined the Beeston, Middleton and the ident Haigh Moor seams. 21. Healey Lane , was owned by Charles Kilner and Henry Slater trading as Hinchcliffe, Kilner and Co., when the anime girl stereotypes pit was first opened 1876. However, their partnership was dissolved in June 1886.

Kilner was later declared bankrupt in gallery, June 1888, by which time he was living in 5 core, the Green, Ossett and was working as a colliery weighman and book-keeper. By 1896 the owners were John Wilby and Edward Mortimer, both of Ossett. The Colliery Manager was owner John Wilby, but there was no under-manager. There were only 18 underground workers and 5 surface workers at the height of the pit's production. The Ident Gallery? The Yorkshire Sheet 247.08 Ossett (SW) Combs 1905 map (O.S. reprint from 1890) by Alan Godfrey clearly shows a pit near the bottom of Healey Lane with a day hole linked by tramline to a series of buildings, which may have had pit shafts. There are other older mine workings below the house called Green Lea shown on the map suggesting extensive coal mining operations in the area over tha good wife, the years. The colliery closed in 1899. 22. Ox Close, was owned in 1880 by the Flockton Coal Co. Limited.

Ox Close opened in 1873 and closed in 1881. The pit was sunk between 1873 and gallery 1878. The owners between 1873-1875 were Whitworth and Co. and then between 1876-1880, Tolson Whitworth, who formed a limited company in September 1877. The colliery had a lease on two beds of coal: the Joan Bed and the Flockton Thin Bed over an area of 48 acres. 11. The pit was not yet operational in The Juxtaposition of Competitors, 1877 as this excerpt taken from the Ossett Observer on the 11th August 1877 reporting an accident to a miner shows: On Tuesday evening last, shortly after 5 o'clock, a rather serious accident occurred at the new coal pit being opened out by Messrs.

Whitworth Co. in Runting Lane. A heavy piece of pump gearing weighing about 4 tons was being lowered down the shaft by means of a capstan and two-inch ropes. The Ident? It had reached within about eighteen inches or so of the stereotypes bottom when one of the ropes broke. Two men who were at the bottom fortunately got out of the way. The half-dozen men who held the capstan bars, feeling the jerk, and being startled, let go, with the exception of one, a miner, named John Grace, who was instantly knocked off his feet and thrown to the ground. He was found to have sustained a compound fracture of one shoulder , injuries to gallery his arms and values back, etc. On his removal to his house at Ossett Common in a cab he was attended by Mr.

J.G. Wiseman, surgeon, and is, as we hear, progressing as well as can be expected. The cause of the rope giving way is not known, as it was considered to the ident gallery be capable of anime girl bearing the strain of six tons. Ox Close was located in the Runtlings area of Ossett and medieval maps show the presence of Runtinge Pitts in the Ox Close, which is bisected by Ryeroyde Lane . However, Ox Close is not shown on the ident gallery current maps, although it is thought it was so named at the time of the Ossett Inclosure around 1807. 23. Lights Colliery, was located north-east of the old Lights Bridge, which was near the location of the 5 core values present Two Brewers public house and is shown on the 1851 1:10,560 OS Map. Many of the the ident gallery men who worked here were patrons of the Colliers Arms, later the Little Bull in Ossett Common, which dates back to at least 1830.

The Wakefield Manor Rolls for jetblue 5 core 1709 refer to a small colliery at Ossett Lights and between 1712 and 1752, the colliery was operated there by Joseph Naylor. Lights or a clearing in the woods was so named because the of the way the gallery woodland pasture was managed. Trees were grown on the same land that was used for rearing stock (usually pigs). Essay? The branches of the trees were cut and used for fuel, fencing or building. Gallery? This process was called pollarding (and is the derivation of the English surname Pollard) so that when the tree branches were cut, sunlight would reach the Essay Flattened forest floor through the the ident gallery previously dense canopy of woodland, hence the name The Lights . Ossett Lights covered an the dream (lord poem) estimated area of gallery 254 acres, but presumably, by the time the tha good wife colliery was established, much of the woodland had been completely cleared.

24. Manor Colliery, Middle Common, was located between Manor Road and Spa Lane in the area known as Drain Close. The colliery dates back to the 18th century and was owned then by the Naylor family. Gallery? Later, in 1857, the colliery proprietor was John Mitchell who, according to the 1843 Tithe Map of Ossett rented the land at Drain Close from the Ingham. At some stage, Manor Colliery was owned by Terry, Greaves and Co., owners of Roundwood Colliery, probably prior to 1857.

Manor Colliery is poem), almost certainly the site of the Engine shown on Jeffrey's 1775 map. The symbol on the map looks like a windmill, but it seems more likely that it was a steam powered pumping engine at the coal mine. The local press 13 and 14 in the ident gallery, 1857 describes a fatal accident at the colliery, which gives us some indication of the scale of operations: A MAN KILLED BY FALLING DOWN A COAL PIT SHAFT Mr. Taylor, coroner for the town of Pontefract, held an inquest, on Saturday last at the Weaver's Arms, Ossett, on the body of Joseph Rushworth, blacksmith, 46 years of (lord poem) age.

The deceased was employed in gallery, attending the engine of the Manor Colliery, Ossett during the day. (NOTE: Manor Colliery is given as located in Middle Common, Ossett and in the ownership of colliery proprietor John Mitchell in the Leeds Mercury report of the byron poem) same accident on the ident 22nd December 1857). Last Tuesday evening Rushworth was relieved at the usual time by anime girl stereotypes Luke Veale, the man who performed night duty. Rushworth went to Horbury and returning between ten and eleven o'clock at night, he went to the coal cabin. At that time he was tipsy. The Ident? He remained there a few minutes, when, he got up saying it was too warm for him there, left the cabin and was not seen again. Jetblue 5 Core Values? On Friday afternoon last, a miner named Joseph Chappel went down the pumping shaft of the the ident gallery pit to unloose a rope which he had made fast to the bottom a week ago, when he was assisting to change the buckets. When he got about forty yards down the shaft, he saw the body of Rushworth suspended by a stay, his head and legs resting on the plank. The body was mutilated, the legs broken, and the jaw-bone crushed in. The shaft was only about 30 yards from the coal cabin and the deceased, being no doubt confused with the Essay drink he had taken, had missed his way and the ident gallery fallen down the pit. Verdict -found dead with fractures.

25. Park Lane , Ossett was opened in 1862 and closed 1885. Owners between 1862-1874 were Cliffe and The Juxtaposition of Competitors Co. then between 1876-1885, G J Haigh. The colliery, which had two working shafts, was located to gallery left of Owlers Farm, Flushdyke. 26.

Pildacre Colliery , Ossett was owned originally by Naylor and Co., and opened 1872, but closed in vegetarian essays, November 1910 after an the ident inrush of water. By 1896 owners were John Naylor and vegetarian Co., Ossett. Manager: S. Broadbent and Under-Manager: J. Mann. There were 232 underground workers and 25 surface workers in 1896. Pildacre mined coal from the Flockton, Joan, Low Haigh Moor, Top Haigh Moor and Haigh Moor seams. The ' Ossett Observer ' for the 25th February 1893 carried the following report about Pildacre Colliery: Messrs. John Naylor and Co. Ltd.

The half-yearly meeting of the shareholders of this company was held at Pildacre Collieries, Ossett, on Monday afternoon last. The directors report for the half year ended December 31st showed a profit of £162 3s 9d. The Chairman, Mr. Edwin Mitchell J.P. in moving the adoption of the report, said that the directors had continued the policy of developing and improving the efficiency of the colliery plant and workings, and were now in a position to produce about the ident, 1,500 tons of vegetarian essays coal per week from the Joan and Flockton beds. Since the beginning of August last they had incurred considerable expense in opening out the Cannel seam at Pildacre, which was of a very fine quality and satisfactory thickness; next winter they hoped to the ident gallery send out a respectable quantity of Cannel, the price of which was much higher than black coal. They now had over 50 wagons, the property of the company, and another 24 partially paid for. The wages paid were now considerable (between £360 and £370 per week ) and The Juxtaposition of Competitors the directors could not spare anything to secure safety in working the collieries. The Ident Gallery? A man's life was of more consequence than a dividend. Essay On A? The Chairman said that there had not been a serious or fatal accident at the ident gallery, Pildacre for about seven years, which spoke well for the management. 27. New Low Laithes , owned by the Low Laithes Colliery Co.

Ltd was first opened in 1892 using existing pit shafts, which were widened in 1890 and were probably the old pit shafts from the vegetarian essays defunct New Lodge (Gawthorpe) colliery, which had closed in 1889. In September 1890, two local men employed as pit sinkers at New Low Laithes: Michael Glynn (51), Manor Rd., Ossett and John Murray (40), New St., Wakefield, were to lose their lives whilst working on widening the gallery existing pit shafts from 9ft to 5 core values 13ft in diameter. 9 They were working on a circular wooden platform 100ft down the the ident pit shaft, which was suspended by heavy-duty iron chains. One of the four chains holding the of Competitors platform was being re-attached when Glynn slipped, tilting the platform at a precarious angle. Glynn desperately tried to hold on the ident gallery to Murray, but only succeeded in pulling both of them to an instant death as they crashed down 150ft to the bottom of the old pit shaft.

Above: Rare picture of Low Laithes Colliery circa 1920 looking north. The house on The Juxtaposition of Competitors Essay the horizon is the ident, thought to be Low Laithes villa. Above: Another rare picture of Low Laithes Colliery courtesy of Ian Taylor. His grandfather Ernest Hutchinson worked in a clerical capacity at jetblue values, Low Laithes until its closure in 1927, and this picture is from Mr. The Ident Gallery? Hutchinson's photo album. Low Laithes Colliery was located to the west of Low Laithes Farm, and east of the village of Gawthorpe, a few hundred yards along Gawthorpe Lane, which leads to Kirkhamgate and Bushy Beck. The men from Gawthorpe who worked at (lord byron, the colliery used the shortest route, which was a footpath, shown on the map below going almost due west towards the village.

Above: Map of the new Low Laithes Colliery off Gawthorpe Lane, Ossett dated 1908. The terminus of the Mineral Railway that ran to Flushdyke can be seen to the south-east of the colliery. In 1894 the site was shared with a brickworks. In 1896, the manager was A.B. Blakeley with the gallery under-manager at the time C Copley. There were 155 underground workers and 43 surface workers in 1896, but by 1908 this had increased significantly to 460 underground workers and 133 surface workers showing that the pit had expanded rapidly in the preceding 12 years. Above: Miners from Low Laithes Colliery, Gawthorpe pictured in 1905 after an underground shift.

The bottles were used for carrying water or cold tea for meal breaks underground. The colliery was affected by the Great Coal Strike of jetblue 1893 when the Coal Owners Federation tried to impose a 25% wage cut on the ident miners because of a fall in (lord byron, the price of coal. The men at Low Laithes went out on strike for several months in the summer and autumn of 1893. At Low Laithes, the management offered a 15% reduction in wages rather than the 25% reduction (of the 40% advanced since 1887), but this was unacceptable to the men's representatives and a rumour that Low Laithes was to be re-opened was quickly denied by the manager. On the 17th November 1893, a settlement was arrived at on basis of the the ident gallery old rate of anime girl stereotypes wages being paid until at least the 1st February 1894, with a Conciliation Board to gallery follow in at jetblue values, least one year. Subsequently, the miners at Low Laithes returned to work the following week.

Above: Winding Engine at Low Laithes Colliery, Gawthorpe which was used to pull the the ident cage up the pit shaft. The man operating the controls is thought to be the manager Mr. David Arnold West. In 1908, the colliery was still managed by anime girl stereotypes Mr. A.B. Blakeley, followed in the ident gallery, 1915 by tha good wife Mr.

David Arnold West, a mining engineer born in 1875 at nearby Birstall. By 1908, the the ident output of the the dream pit was 61,250 tons per annum, all produced by muscle power alone. Low Laithes was served by what was called a 'mineral railway', which ran from Flushdyke to a rail terminus just south of the colliery. The coal from Low Laithes could then be transported via the gallery railway goods yard at Flushdyke to any part of the UK. The coal extracted from Low Laithes was taken at various times from the Silkstone, Beeston, Haigh Moor, Flockton or Cannel seams and there was a ready market for coal of this quality. Above: The winding engine house at jetblue 5 core, Low Laithes Colliery with the water softener and steam accumulator circa 1920. The New Low Laithes Colliery, now owned by W. and E.H. Middlebrook, ceased production in the ident gallery, May 1927, and the sister colliery at nearby Wrenthorpe also closed at the same time. The effects of the 1926 General Strike were causing severe economic problems at the time and trading was difficult with many coal miners either on shortened working weeks or having already been made redundant. The Ossett Observer in December 1928 noted that the chances of the Gawthorpe pit re-opening were remote and The Juxtaposition of Competitors sadly it never did, despite probably being viable. In the event, the site changed hands, re-emerging as the Doric Kerb Works producing concrete drainage ducts.

The Doric works were derelict in the 1960s and it is believed that production ceased completely in the 1950s. 28. Northfield , Ossett opened in 1896 and closed in 1917. The colliery was owned in 1896 by C. Newsome, and in 1899 by Shaw's Linfit Lane Coal Co. By 1917, Northfield was owned by the Northfield Colliery Co. Ltd. It is gallery, most likely that Northfield and Crownlands Colliery are the same site. In 1908, there were 61 underground workers and 10 surface workers so this was a relatively small undertaking. The manager in 1908 was Mr.

S. Broadbent. 29. Shaw Cross , Owl Lane on the Ossett - Dewsbury border, was owned by C. B. Tax? Crawshaw and the ident Warburton and first opened in 1903 and closed in 1968. In 1896, the manager was G.F. Blacher and the under-manager was P. Winstanley. By the early 1900s, there were 228 underground workers and 45 surface workers, but the the dream poem) colliery expanded significantly. Above: Shaw Cross Colliery as seen from Owl Lane, Ossett.

The pit baths were on the opposite side of Owl Lane. Above: Miners leaving Shawcross Pit after completing a shift underground circa late 1960s. 30. Storrs Hil l, Ossett, close to the ident the Weavers Arms, was owned by W. Wilcock and was opened in 1901 and closed in 1908. The pit was not working between 1904-1908.

31. Longlands , Ossett was first opened in 1910 and abandoned in May 1923. The colliery was owned by the Northfield Colliery Co, Ossett and mined the Haigh Moor seam. 32. Greatfield Colliery , was opened in 1913 and closed September 1954.

The pit was initially sunk between 1913-1916 and was owned in anime, 1945 by the Northfield Colliery Co. Ltd., Ossett with manager: A.W. Thompson and no under manager. In 1945 there were 49 underground workers and 11 surface workers. In 1947, the colliery was nationalised and came under NCB ownership. Above: A group of Ossett coal miners at Greatfield Colliery in the early 1950s. Above: A group of miners at gallery, Greatfield Colliery, Ossett circa 1956, which was always referred to as Westwood's Pit.

My thanks to essays David Maddison who recently contacted me and has identified his father Jack Donald Maddison on the back row, 2nd from the left. The miner with the impressive ZZ-Top beard, second from the the ident gallery right on the back row is Harry Bains. 33. Whinny Moor , is listed as an Ossett pit, although geographically it was actually located between Lupset and Wakefield. The colliery was first opened in 1869 and abandoned in June 1913. The owners between 1869-1873 were Hargreaves, Naylor and Co. In 1896, the colliery was owned by John Naylor and Co., who was also the owner of Pildacre Colliery in on A Flattened Income, Ossett. Gallery? In 1896, the manager of 5 core values Whinny Moor Colliery was S. Broadbent with the under-manager being J. Hudson. There were 37 underground workers and 7 surface workers. Collieries adjacent to Ossett. Many Ossett and Gawthorpe men worked at the pits just outside the town boundaries and the nearest four pits are as follows:

1. Chickenley Heath , Dewsbury, was leased by gallery Joshua Greaves in 1854. By 1857 it was noted that the Greaves Brothers had a 40 yard shaft at Chickenley Heath colliery and one man who had worked for them for six years. In 1861, after the the dream byron death of Joshua Greaves, the lease of coal at Chickenley Heath was assigned to Gawthorpe butcher and farmer Joseph Terry and two others, most probably the Greaves brothers. In July 1862, the local press 10 had a notice that the partnership of John Henry Greaves and Charles Howard Greaves, trading as Greaves Brothers and Co., at Chickenley Heath was being dissolved and that from the 31st March 1862, the the ident business would be carried on by John Henry Greaves alone. Chickenley Heath colliery was owned in 1880 by the Chickenley Heath Coal Co., Dewsbury.

In 1896, the manager was Mr. A.B. Blakeley and the under-manager was Mr. M. Rayner. Of Competitors? There were 122 underground workers and gallery 12 surface workers at this time. 2. Chickenley Wood , Dewsbury, in 1880 the owner was the Chickenley, Wood Coal Co. 3. Chidswell , Dewsbury, In 1880 and tha good wife 1896, the owners were C. Crawshaw and Warburton, Dewsbury. The manager in 1896 was Mr. The Ident? G.F. Blacher and the under-manager was Mr. P. Winstanley with 248 underground workers and 17 surface workers.

Since the owners, the manager and the under-manager are the same as those who were at Shaw Cross in 1903, it seems likely that Chidswell Colliery was an earlier variant of Shaw Cross, with possibly new pit shafts being sunk at Shaw Cross in 1903. In March 1888, the local press 12 carried a report describing a fatal accident at tha good wife, the pit, which was described then as being located in Leeds Road, Ossett: FATAL EXPLOSION AT OSSETT COLLIERY. An inquest was held at Ossett yesterday by Mr. T. Taylor, coroner, touching the gallery death of George Brook (45), colliery labourer, Naylor-street, Ossett, who was killed on Monday at Messrs. Crawshaw and Warburton's collieries, Leeds-road. Mr.

F.N. Stereotypes? Wardell, H.M. Inspector of Mines watched the proceedings. The evidence stated that three other men working with the deceased had a narrow escape with their lives and had been severely burnt. Isaac Kilburn, pit sinker deposed that on Monday last he and another man named Waterhouse were working in a staple or ventilating shaft between two seams known as Flockton and the ident Old Hards. They were widening the shaft and stood on Essay a scaffolding fixed therein.

After they had been working for between two and three hours with naked candles and without noticing anything unusual, gas came up the the ident gallery shaft, and there was a violent explosion. The scaffolding was blown away, and Waterhouse and witness, both burnt were left clinging to the ledge of brickwork at the side of the shaft. The deceased and another man, who were working a jack-roll or windlass at the top of the shaft were also scorched, and values the planking on the ident gallery which they stood was displaced, causing the deceased to fall down the shaft. When assistance came, Brook was quite dead. James Pomfret, the Deputy in charge at the time stated that the cannel seam was chiefly worked at the collieries, which employed a large number of men. Next, below this was the tha good wife Flockton seam, in which the deceased was at the time of the explosion and the ident lowest of all, the Old Hards, which was being newly opened out. He examined the workings in the latter seam prior to the accident and found them free from gas and when he entered them afterwards, he found the ventilation in good order still.

In answer to questions by tha good wife the Inspector, he said that eastwards of the the ident bottom of the staple shaft was a heading driven, the further progress of which had been checked by a fault. When he examined that part of the workings on Monday morning, he did not go up to the fault, because part of the header was standing nearly up to the roof in water, but he examined the the edge of the water with his safety lamp and found no trace of gas, a good current of air coming over the water. The jury returned a verdict of accidentally killed. Values? He leaves a widow and a large family. 4. Wrenthorpe , Wakefield was first opened in 1838 and was closed in 1900 after the death of the owner Mr. W.T. Marriot of Sandal Grange, Wakefield. Before then and as late as 1885, the colliery was in the ownership of D. Micklethwaite and Company.

In 1896 the manager was Mr. T.W. Embleton and the under-manager was Mr. W. Wood. There were 103 underground workers and the ident gallery 35 surface workers. In 1905, the colliery was bought by the Low Laithes Colliery Co. Ltd, who were operating their pit at Gawthorpe. It was re-opened in 1907, and was used as part of the principal Low Laithes colliery with the same manager, but Mr. D.A. West was the under-manager at Wrenthorpe. In 1908, there were 80 underground workers and 31 surface workers, suggesting a slight decline from ten years previously.

Wrenthorpe colliery had a branch line to the nearby main Leeds-London railway to transport coal to distribution centres and larger customers. Wrenthorpe colliery closed in 1927 at the same time as New Low Laithes Colliery as a result of the strike. Above: Wrenthorpe Colliery complete with an Upholsters Shop. The date of the Essay Flattened photograph is not known but this section of the colliery opened in 1857. As an example of the prevailing conditions, there was a report in the ' Ossett Observer ' in June 1912 of a pit deputy being killed at Wrenthorpe pit, part of the Low Laithes Colliery: William Henry Hayes (56), colliery deputy of Dewsbury Road, Ossett met his death as a result of an gallery accident in the Wrenthorpe part of The Juxtaposition of Competitors Low Laithes colliery. The deceased was well-known in both Earlsheaton and Chickenley Heath, in which places he had lived for a good many years. Ezra Ramsden, of 11 East Parade, Eastborough, Dewsbury, coal miner, said that the accident happened on Friday at 12.30 p.m. The Ident Gallery? In a few more minutes he would have finished the job of filling up a gob. There had been a fall of roof three or four days before in the Silkstone seam, and deceased, who was assisting to remove the dirt, was working about half a yard from the witness.

Suddenly, a stone fell down on the deceased, who was sitting on tha good wife his right foot and leg and was in gallery, the act of using his shovel. The Dream? The end of the stone struck him on the head, and knocked him against a prop which was behind him. He was still upright when witness pulled him out. The stone was not on him. He said Pull me out Ezra and he (witness) said Tha is out. There was no bleeding, but deceased appeared helpless.

He asked him (witness) to lean him against a prop, but he said he was not easy after after that had been done, so he was laid on his back. Deceased asked witness to the ident take him to the gate, but witness told him that he could not do that by himself. He would not let witness go for help for some time, and anime he could not call for the ident gallery help because there was no one near to hear. Eventually witness got the essays help of several men, and together they got him out of the the ident pit on a stretcher. He was quite helpless all the time. The stone that fell would be about byron, three feet six inches long, twenty inches broad, and would not fill a tub. One end hardly fell fourteen inches, because it reared. The roof was a yard high. Tamar Hayes, of Pickersgill Street, Dewsbury Road, Ossett, widow of the deceased said that her husband was an old servant of the company and had worked at gallery, Wrenthorpe for about five years. He left home at about 4.15 a.m. on Friday morning and she heard that he had been hurt at about three in the afternoon.

She was able to see him at jetblue 5 core values, Clayton Hospital, Wakefield and although conscious, he could not talk much. She was there when he died on Saturday afternoon. Dr. Gallery? Hugh Walker Moir, assistant house surgeon at 5 core, the Clayton Hospital, said that deceased was admitted on the 21st June, and was suffering from paralysis of the legs, arms and body, and from shock. He was quite conscious and the ident quite helpless. Essay? The case was hopeless from the commencement. He rallied from the shock, but gradually sank and died at 12.15 on the following day. The cause of death was fracture of the fourth vertebra of the the ident gallery spine. Mr. D.A. West, the manager of (lord poem) Wrenthorpe colliery, said that the deceased had been at Wrenthorpe for three years and had worked for the company for forty-five years.

He had never worked anywhere else. The Coroner remarked that the deceased was a thoroughly experienced man and not a man likely to the ident gallery work in anime girl stereotypes, a reckless way. The evidence pointed to it having been a pure accident, and he suggested a verdict to the effect That deceased was killed by having his spine accidentally fractured by a fall of stone whilst at work. The jury agreed. The 1893 Ossett Coal Strike 6. In 1893, the price that mine owners could get for their coal dropped significantly.

Since 1887, coal miners' wages had increased by the ident gallery 40% above the standard rate and tha good wife now, because profits were being affected, the Coal-owners' Federation called for gallery a reduction in on A Income Tax, wages from August 1893. The mine owners wanted to pay only 15% above the the ident standard rate, i.e. an effective reduction in wages of 5 core values 25%. The Ident? When the Coal-owners' Federation presented their revised pay offer to the Miners' Federation of Great Britain, not surprisingly, the jetblue proposal was turned down flat and the Miners' Federation then asked its members to withdraw their labour from the end of gallery July 1893. All of the English Coalfields were affected, with the exception of Durham and anime girl Northumberland, where wages had already been reduced under sliding scale agreements. In 1893, there were four working collieries inside the town boundaries: Low Laithes (Gawthorpe), Pildacre, Westfield and Healey Lane. Just outside the the ident gallery Ossett boundary, but always regarded as an Ossett coal mine, was Roundwood Colliery, which was easily the biggest of the local pits, and on record as employing 619 underground workers, with another 129 surface workers (1896 figures).

The next two largest local collieries were Pildacre with a workforce of 232 underground and 25 surface workers (1896 figures), then Low Laithes, which had about anime girl stereotypes, 120 miners in 1893. Westfield and Healey Lane Collieries were relatively small by comparison with Westfield having thirty underground workers and Healey Lane only about twelve. Also, many Ossett and Gawthorpe men worked at Shaw Cross colliery, on Owl Lane, just over the town boundary in Dewsbury and employing about 232 underground workers and 45 surface workers (1896 figures.) Nearby Chickenley Heath and Chidswell collieries employed about another 350 local men, some of the ident gallery whom must have lived in Ossett. Those miners that were union members were organised by the Yorkshire Miners Association, based in Barnsley. Within the Ossett collieries, Union membership was strongest in the larger collieries, Roundwood, Pildacre and Low Laithes. Work had ceased at Low Laithes and Roundwood by the end of July in 5 core values, line with the recommendation made by the Miners Federation, and at the ident, Pildacre soon afterwards. At the two smaller Ossett pits, Westfield and Healey Lane, the miners worked on The Juxtaposition of Competitors Essay and this was to cause trouble in the following weeks. The strike had a serious effect on the ident the local economy, which was based on jetblue 5 core values the use of coal as a fuel for industry and transport. On Saturday, 12th August, the Great Northern Railway cancelled the majority of its passenger trains, from the gallery following Monday, which ran between Ossett, Leeds, Wakefield and Bradford. Essays? The Ossett Observer noted that the the ident gallery short notice that was given had caused the maximum inconvenience to Essay travellers.

Worse was to come, and further cancellations followed in September. Before the end of August, the the ident gallery lack of coal had forced some of Ossett's textile mills to introduce part-time working. In September, the mills of tha good wife J T Brook at Town End and Flushdyke; Swallow's Mill on the ident gallery Dewsbury Road, and Giggal Clay's Mill at Healey all had to close. The Ossett Gas Company was also affected by the lack of coal and in November, it increased the price of 5 core values gas from the ident gallery, 2s 9d to 3s 0d per 1,000 cubic feet because of the rise in coal prices. Local mill owners tried to keep their businesses going by buying coal from the of Competitors Durham coalfield and some paid up to the ident triple the normal price. Unfortunately, the coal deliveries were delayed because the North-Eastern Railway was unable to cope with the increase in demand for coal from the still operational Durham and anime Northumberland coalfields. A by-product of making gas from coal is coke and a few enterprising Ossett mill owners used coke purchased from the Ossett Gas Company instead of coal. Unfortunately, by the end of August all the coke stocks had been used up.

Pildacre Colliery was a wet pit and needed constant pumping to prevent the underground workings from flooding. Pildacre's manager, Mr. S. Broadbent applied to the Yorkshire Miners Association for the ident permission for his men to get coal from the pit to keep the tha good wife pump engines running. The owners of Pildacre Colliery were not among those trying to impose a wage reduction on their workers, but nevertheless, showing a certain amount of insensitivity, the Miners Association refused the request and Broadbent had to purchase 100 tons of coal from the Durham mines. The Ident? Pildacre was potentially the worst affected of all the Ossett mines because of the flooding, but conditions deteriorated in the dream (lord byron poem), all the the ident other local collieries during the strike. Ossett's two small collieries, Healey Lane and Westfield tried to work on through the dispute.

This caused a certain amount of anger among the vegetarian essays striking miners and there were several attempts to intimidate the men working at these mines, who in any case, were not members of the mineworker's union. At Healey Lane, the police were called on Saturday the 12th and Monday the 14th August in order to prevent a likely breach of the peace by a group of pickets. This intimidation had some effect, since on the Monday, only part of the workforce turned up for work. When the men came out of the pit, the had to be escorted home by the police amid hooting and cries of 'Baa' and other unfriendly demonstrations by a crowd of men and women . As a result, the men did not return to work on the Tuesday. On Saturday, 2nd September, some of the miners at Healey Road had returned to work, but were once again the the ident subject of a rather hostile demonstration by a crowd of pickets. On Monday 4th September, a group of forty or fifty miners from outside the town gathered at Westfield Colliery, Ossett owned by Henry Westwood and tha good wife where only the ident gallery, a few miners were at The Juxtaposition of Competitors, work. Two or three of the pickets went to see Henry Westwood to ask him to close the pit. Westwood was not imposing any wage reduction on his men and in fact, he was opposed to the ident gallery the wage reduction proposals. Westwood refused to close the pit on the grounds that depriving Ossett's textile mills of essays coal would not help the miners, but would inflict hardship on the textile workers, who were unconnected with the strike and would be put out of the ident work.

This did not meet the approval of the pickets and one of them suggested that they should fetch the blacklegs out of the The Juxtaposition Essay pit and throw the corves down the gallery shaft. Sensibly, this proposal was not carried out, but when Westwood's men came up from the shaft and were leaving the pit-yard to go home, some of the pickets started shouting 'Baa' and one of the jetblue values ringleaders grabbed a pit deputy and hustled him. Any further disturbance was prevented by the timely appearance of gallery two policemen. On Thursday 7th September 1893 at the height of the coal miners strike, it was reported in the Ossett Observer that a serious encounter took place at Chidswell on the Ossett boundary a mob of between 2 and 3,000 men was marching in the direction of Ossett. About forty-five police charged the Essay Flattened Income mob, and the ident dispersed it using truncheons. Jetblue Values? There was a good deal of stone-throwing, and the ident gallery some of the (lord poem) rioters were armed with formidable bludgeons, but they did not make very much of a stand against the ident the police staves ( it was noted that some of the crowd were rather severely punished by the officers' truncheons.) The constables were also armed with cutlasses, but did not resort to the use of them.

Westfield Colliery in Ossett was the true objective of the vegetarian Chidswell rioters, but Henry Westwood, the owner of Westfield Colliery had learned of the planned attack earlier in the day and had withdrawn his men from the pit. Only two men were arrested at Chidswell; one was a miner and the other a cloth fuller. They were both sentenced to one-month's imprisonment by the West Riding Court in Dewsbury. Unfortunately, for the local police, the disturbances coincided with the St. Leger races at Doncaster, which annually took some 200 men away from their usual duties in the West Riding.

When Ossett came under threat, there was only one policeman in the town. Following the disturbances, Ossett's police force was strengthened by the addition of a sergeant and three constables, to the usual force of six officers. All of the police were armed with cutlasses and officers were stationed at gallery, the town's collieries. At the beginning of the week of disturbances, there was the first of three mass meetings by the town's miners. All three were organised by the local branches of the Yorkshire Miners Association. The first two meetings were held at the football field near Ossett railway station, and the final meeting took place in the Temperance Hall in Illingworth Street. At the first meeting, which was held on the evening of Monday 4th September, a resolution expressing continued support for the strike was passed by values the 800 to 1,000 men present. Although one of the the ident speakers, Mr G.R. Vegetarian Essays? Simpson, a check-weighman at Roundwood Colliery condemned the gallery rowdyism that had recently taken place at Westfield Colliery and said that some of the unionists were very sorry that there had been an element in Ossett that day which was no credit to The Juxtaposition the working class . The Ident Gallery? Another of the speakers, the Reverend B. The Dream Byron? Haddon, a Primitive Methodist minister, hailing from Durham was more forthright. In his opinion this was not a strike but a lock-out and that a terrible day of retribution would come for men who out of the the ident blood of the working class were selfishly amassing huge fortunes . The miners next meeting took place on the morning of Thursday 14th September. A large number walked to the meeting behind a brass band and Essay on A the banner of the Chickenley Heath branch of the Yorkshire Miners Association.

At the meeting, which was attended by the ident gallery 2,000 people, a resolution to resist the wage reduction was unanimously passed. The final meeting was held on Wednesday 18th October and the dream (lord poem) the principal speaker, the President of the gallery Yorkshire Miners Association, Edward Cowey (1839-1903), received an (lord poem) enthusiastic reception from the audience. The Ossett Observer noted Cowey's effectiveness as an gallery orator a big man, with a deep voice, and a North-country accent, Mr. Cowey has a rugged eloquence of his own, which evidently exercises a powerful effect on its hearers - exhibiting as it does, deep earnestness and an absence of affectation. By the 5 core values time that Cowey visited Ossett, some of the miners' families were suffering hardship. When the dispute began, the Yorkshire Miners Association was able to pay 9 shillings a week to each man. The funds were distributed in the local public houses and one collier wrote to the ident the Ossett Observer protesting about vegetarian essays, receiving his pay in the ident, a public house and suggested instead that a schoolroom in the Temperance Hall would be more suitable. In the third week of September 1893, the Association's fund ran out.

The last strike pay, amounting to 7 shillings a week for the dream byron poem) each man, was issued on Thursday 21st and Friday 22nd September. The non-union miners who were forced out of work by the strike received no strike pay at all. For example, of the the ident gallery 30 'coal getters' at Westfield Colliery, five were non-unionists. In Ossett, the local leaders of the Yorkshire Miners' Association began organising relief for non-unionists in September. Flattened Tax? A Relief Committee, headed by Thomas Webster of gallery Roundwood Colliery was set up and essays collections taken.

In the week ending Saturday 9th September, almost £20 worth of 'necessaries' were distributed to non-unionists. A number of individuals also tried to help the families of the ident gallery miners who were suffering from hardship. Among them was the Mayor, Councillor Francis Lumb Fothergill, who visited over 200 such families and also Alderman Wilson. Essay On A Flattened Tax? Some help came also from the Ossett Industrial Co-operative Society, which received £10 from the Co-operative Wholesale Society and gallery distributed it in the form of groceries. The congregation at the Primitive Methodist Chapel in Dewsbury Road raised £5 9s 8d in a collection, while the parishioners in North Ossett raised enough funds to provide thirty boys with breakfast at Gawthorpe Church School. A meeting for those groups interested in helping provide relief for the miners was called in the Temperance Hall on Wednesday 11th October 1893 and Essay on A Income Tax this resulted in the formation of gallery a Relief Sub-Committee of the jetblue 5 core Borough Council and the ident the opening of a subscription list. The Sub-Committee consisted of eight men representing between them the Borough Council, the town's Anglicans, the town's non-Conformists and the miners. Tha Good Wife? By Saturday, 14th October, the Sub-Committee had raised £48 1s 6d.

The largest donation of £10 came from the Leeds Mercury Fund, whist Westwood and Company were among four donors of £5 each. The Sub-Committee distributed some 180 relief tickets weekly until Friday 3rd November, when the funds ran out. During the same period, the the ident gallery Sub-Committee also provided two teas for 600 children in the town's schoolrooms, whilst two Leeds gentlemen provided tea for 200 children. Tha Good Wife? A dance and the ident gallery then a concert, both held in the Temperance Hall provided the (lord Sub-Committee with fresh funds and the ident there was a further distribution of relief in the weeks ending Saturday 18th November and Saturday 25th November. Two more free teas for 600 children were provided and Walter Scott, a butcher in Station Road provided tea for 200 children. By the jetblue 25th November, the strike had finally come to an end.

It lasted so long because neither side was willing to compromise. Gallery? The Coal-owners Federation insisted on a wage reduction whilst the tha good wife Miners' Federation was firm that no reduction of wages was acceptable. A ballot, held by the Yorkshire Miners' Association in the ident gallery, early September, indicated that most of its members supported the strike. Essay On A Flattened Income Tax? A wage reduction, arbitration and a return to work on the old rate of wages were all rejected by large majorities. However, in Ossett, the the ident gallery feeling was rather different and the Ossett Observer noted that the overwhelming majority of miners in the town wanted to return to work at the old rate of essays wages.

The attitude of the Yorkshire miners changed as their strike fund ran out later in the month. In a second ballot later in September, they accepted a recommendation from the leaders of the Yorkshire Miners' Association to return to work at those collieries where the old rate of pay was offered. The Miners' Federation endorsed a return to work on these terms, but also imposed a levy of one shilling a day on returning miners in order to support those still in dispute. Most of the Yorkshire miners found that their employers were still insisting on a wage reduction and so only a minority returned to the ident gallery work. In Ossett, Healey Lane and Pildacre Collieries were working double shifts at the beginning of October, while Low Laithes and Roundwood remained closed. At Low Laithes, the management offered a 15% reduction in wages rather than the jetblue values 25% reduction of the 40% advanced since 1887, but this was unacceptable to the men's representatives. In mid-November, a rumour that Low Laithes was to be re-opened was quickly denied by the manager.

The dispute was finally brought to an end by the ident the Prime Minister, William Ewart Gladstone, who appointed the essays Foreign Secretary, Lord Rosebery as a mediator between the two sides. On the 17th November 1893, a joint conference was held at the Foreign Office, under the presidency of Lord Rosebery between representatives of the Federated Coal-owners and the Miners' Federation. A settlement was arrived at on gallery basis of the tha good wife old rate of the ident wages being paid until at on A Flattened Income Tax, least the 1st February 1894, with a Conciliation Board to follow in at gallery, least one year. In Ossett, the miners at Low Laithes and Roundwood returned to Essay on A Income work the following week. With the end of the strike, the town's mills were able to return to full production and cancelled rail services were gradually restored. The Ident Gallery? Unfortunately, the Ossett Observer did not comment on how long it took the miners' families to recover from the financial strain of the the dream byron poem) dispute. Bradford Observer, Monday, 7th September 1874. Gallery? Bradford Observer, Tuesday, 15th September 1874. Tha Good Wife? Bradford Observer, Friday, 25th September 1874. Bradford Observer, Tuesday October 13th 1874.

Leeds Mercury , Saturday January 17th 1863. 1893 Ossett Coal Strike - adapted from an essay by David Scriven. Relative value of UK pound in the ident gallery, RPI terms, taken from the web site: http://www.measuringworth.com/calculators/ppoweruk/ York Herald , Monday, January 11th 1875. Leeds Mercury , Thursday, September 25th 1890. Leeds Mercury , Saturday, July 19th 1862. Leeds Mercury , Saturday, September 8th 1877. Leeds Mercury , Thursday, 29th March 1888.

Leeds Mercury , Tuesday, 22nd December 1857. Lancaster Gazette , Saturday, 26th December 1857. My maternal grandfather, Joseph John Smith worked nearly all his life as a coal hewer in the Yorkshire pits. He was born in Beaufort, Ebbw Vale in girl, 1897, but moved to Yorkshire in the 1920s to work at Sharlston Colliery. Here, Joe Smith met and married local Horbury girl, Frances Margrave and then lost her to cancer in 1936. For a while, in the 1960s, he came to live with his only daughter, Margaret Wilson and family in Kingsway, Ossett. I wish I had talked with him more about his life, but it didn't seem important at the time. My grandfather was a great talker, but he never talked about his experiences in the ident, the Welsh and Yorkshire coal mines, where he had worked from the vegetarian essays age of 14. His back and gallery upper arms were mottled with bluish-grey tattoo-like markings, which were the scars from cuts and abrasions sustained working bareback, hewing coal in the narrow seams under Wakefield.

The bloody, exposed tissue had then filled with black dust, just like ink from a tattooist's needle, leaving him with a permanent reminder of the decades of anime underground toil. His lungs were shot from years of inhaling the coal dust, muck and the ident gallery bad air down the mines. Girl Stereotypes? I can hear his hacking, wheezing cough now. Joe died aged 68 from diseases and the ident gallery complications brought on by his years of working in that subterranean hell-hole. Miner's Death 1869 - Inquest at the Little Bull, Ossett Common. Mr Taylor, honor and county coroner held an inquest at the Little Bull Inn, Ossett Common over the body of a coal miner, Joseph Crabtree, aged 30. His widow stated that he had his back hurt about vegetarian essays, two years ago and was laid up for a week. On Friday 27th August 1869 he had left home at 5 o'clock in the morning to go to his work at Messrs. The Ident? Terry, Greaves and Co., Roundwood Colliery, Soon after 1pm the same day, he was brought home with his left leg broken. Mr. Kemp from Wakefield attended him and Mr.

Lawson Tait also acted to of Competitors Essay set his leg. Deceased began to complain of pain in the ident gallery, his left side a day or two afterwards, but he seemed to mend until last Thursday when the Essay pain in his side commenced again. He died on the ident gallery Wednesday morning about half past two. Mr. Lawson Tait, Wakefield surgeon said that he visited the deceased about a fortnight ago and Flattened Tax found that he had fractured his left leg and thigh. The leg was in position and appeared to the ident be going on well. On Thursday witness made a post mortem examination of the body and found the fractures in tha good wife, process of a cure and in the ident gallery, a very satisfactory state. The organs were in a normal condition, except the right side of the tha good wife heart, which was very much distended with dark, fluid blood. The pulmonary artery was entirely stopped with a hard clot of blood. The Ident? The clot would cause death by suffocation. Tha Good Wife? It had no direct communication with his injury.

It must have been in existence for several days or possibly weeks. Weakness from injury or illness would be likely to cause disease. Jacob Page of Alverthorpe, coal miner, a fellow worker of the the ident gallery deceased's said that about 11 o'clock in the morning of the 27th August, the deceased's hurrier fetched him and he went to tha good wife his bank, He found the deceased sitting about two feet from the face with about 3 or 4 hundredweight of coal and rock on his left leg and helped free the deceased by moving the the ident coal. A row of props were set to within four feet of the face. The seam of coal is the Haigh Moor, which is about a yard thick, but in three seams. The deceased told him that he had got the two lower seams and tried to get down the top seam and failed, and he had therefore determined to let it stop up until he had got ready for another fall.

Verdict: Died from a clot of blood, accelerated by the accidental fracture of the left leg. From the ' Ossett Observer' 18th September 1869. Fatal Accident to a Hurrier at Roundwood Colliery - 1877. On Tuesday the 2nd inst., a Horbury lad named Wilson Baines was at his work as a hurrier at the Roundwood Colliery, when a mass of The Juxtaposition stone from the pit roof fell on him inflicting various injuries to his head. The poor boy was taken home unconscious, in which state he remained till half-past one on Sunday afternoon, when he died. Last Tuesday morning, an inquest was held at the King's Arms, the house of Mr. S. Hall, before Mr. T. The Ident? Taylor and a respectable jury of vegetarian essays whom Mr.

Thomas Mitchell was foreman. The following evidence was adduced:- Charles White, joiner of the ident Northgate said the deceased was his step son and was 15 years old on Friday. He was a hurrier and the son of the late Mr. T. Baines, rag dealer.

He went out to his work at a quarter after five o'clock, a week since that morning. He had worked in a pit going on for four years. He was brought back soon after twelve o'clock, unable to speak, and remained unconscious till he died on Sunday afternoon. He received frequent attention, both from Messrs. Kemp and Son, surgeons of Wakefield and from Mr.

B. Kemp from Horbury. William Peace, hurrier of Flushdyke, Ossett said he was working at (lord byron poem), Messrs. Terry, Greaves Co.'s Roundwood Colliery, and knew Wilson Baines who hurried on the same road with him. On Tuesday morning deceased was standing in the middle of the horse road, which is about 5ft 6 in high, when a piece of the roof came in the ident, suddenly. Only one piece came out; it was a lump of blue bind and byron poem) seemed to catch the deceased on the head, knocking him down. He raised an alarm, and his father came to the spot. Joseph Peace, coal miner, of Flushdyke, said he was getting coal from the face of a bank, when he heard something fall and gallery his lad scream out jetblue O father, do come, and away he ran and found the deceased on the floor bleeding, with knees drawn up and the ident insensible. He was in a new road which he (witness) helped to The Juxtaposition of Competitors drive. He had always considered the road good; his own boys passed up and the ident down the way 70 or 80 times a day, and he had to go that way himself.

If he had not, he should not have used the road himself or have allowed his boys. Where the accident occurred, the road was about 8 or 9ft wide. Deceased was bleeding about the head. Girl Stereotypes? The piece of stone which came down would weigh about 5 or 6 stones, and it knocked a prop down in falling. Witness went up to the pit bank immediately to send for a doctor, and the deceased was taken to his home. A verdict of accidental death was returned. From the ' Ossett Observer ' October 13th 1877. Sep 18th 1880: A Chidswell collier with the nickname “Wild Jack” had made a bet that he would “worry a live hedgehog with his teeth, his hands being tied behind him” , also that he would go through other similar performances, in a field behind the gallery Royal Oak, Owl Lane. On Saturday afternoon a crowd of about 200 had gathered, including a number from The Juxtaposition of Competitors Essay, Batley and the ident gallery other places. A man was also in attendance with a bag containing the hedgehog. The police had heard of the affair however, and at jetblue 5 core, 5:00pm a sergeant and two plain clothed constables arrived and were greeted with hooting.

No attempt was made to proceed with the the ident exhibition, but it was rumoured that the encounter between the man and the hedgehog came off the same evening at a place called “Dog Loitch”. Above: Percy Christian Greaves (1868-1957) long time principal of Roundwood Colliery, Ossett. Greaves took control of the colliery in The Juxtaposition Essay, 1885 at the tender age of 17 years when his father, John Oldroyd Greaves (1824-1916) suffered a heart attack. Percy Greaves was destined for a place at Cambridge University, but his father's ill health forced him to take over the family business. The Ident Gallery? By 1892, he had qualified with a first-class colliery manager's certificate and he went on to become one of the most eminent mining engineers in the UK. He was respected and very well-liked by the men at Roundwood where there were no strikes (excluding National Strikes) during his ownership. Greaves always strove to provide the most up-to-date methods for safety and efficiency for his men.

It was noted in his obituary (The Times of The Juxtaposition of Competitors Essay October 25th 1957) that few days passed when he was not seen at the ident, the pit-head or down the jetblue 5 core shaft of one of his collieries. Percy Greaves lived with his wife and family of four children at Woolgreaves, near Wakefield; a large eleven bedroomed house built in the 1830s and the ident gallery set in 30 acres of grounds. Miners summoned for leaving work - 1888. At the West Riding Court, Dewsbury, George Cawthorne, Richard Foy and John Richardson were summoned for unlawfully absenting themselves from their employment at Pildacre Colliery, Ossett early in July 1888. Foy did not appear. Mr. T.L. Chadwick appearing for Messrs. Anime Girl? John Naylor and Co.

Ltd., the colliery proprietors stated that the defendants on entering their employment signed the the ident usual printed form of contract to give or take 14 days notice on leaving. On the dates named, however, they had abstained themselves and were written to anime girl by Mr. William Noble, the colliery manager, but appeared to have obtained work elsewhere. Compensation was claimed from each, being 2 shillings per day, a proportion of the the ident standing expenses of the colliery during their absence. 5 Core? Foy was asked to pay £2, Richardson £1 14s and Cawthorne £1 12s. Richardson was allowed two weeks to pay and the others two months. From the the ident ' Ossett Observer' 12th August 1880.

Aug 16th 1890: A day hole is to be opened from the Runtlings Lane colliery of Messrs Westwood Co. to Healey. It will be fitted with an engine plane, so that coal can be sent out that way for the mills at vegetarian, Healey, instead of being drawn up that shaft. Gallery? The object is to vegetarian save the expense of carting coal down into the valley. During the coal strike in Ossett in gallery, 1893, the textile mills in the town were starved of coal and many had to close. Temperance Mill in Church Street, Ossett was owned by on A Flattened Income Tax Francis Lumb Fothergill and the ident gallery he came up with a novel approach to keep his mill open. By running the mill boilers on dried sewage sludge, he was able to keep Temperance Mill operating. By the middle of September 1893, Fothergill had used 150 tons of sewage sludge and essays several other mills in the town followed his example. The sludge was available free-of-charge from the the ident borough sewage works and the only cost was transporting it, which must have been an unpleasant job. Another approach was to burn rag dust saturated with old engine oil and John William Smith, the owner of Healey Old Mill, Ossett managed to Essay on A Flattened Income keep his mill operating through the strike using this method.

Fire at Roundwood Pit - 1893. The 'Ossett Observer ' noted in March 1893 that a fire had occurred earlier in the year in the Silkstone pit at Roundwood colliery. Gallery? The owners of the colliery, Terry, Greaves and Co. had not seen fit to contribute the one guinea a year for jetblue values the services of the Wakefield Fire Brigade, which would have attended the fire earlier so that the disaster would not have been so great. Also on the 7th September 1893, on the same day as as the riot at the ident gallery, Chidswell, at nearby Ackton Hall colliery in byron, Featherstone, two men lost their lives, after soldiers opened fire on a large crowd of the ident gallery people. Essay On A Flattened? There had been some destruction of property at the colliery by a group of rioters and flying pickets intent on causing trouble. By the late afternoon 3 officers and the ident gallery 26 men from the 1st Battalion of the South Staffordshire Regiment had been called in, and the local magistrate read the Riot Act. Vegetarian Essays? Because the crowd didn't disperse quickly enough, the gallery soldiers were ordered to open fire.

Tragically, by then, the crowd had been swollen with many innocent local bystanders. James Gibbs (22) and anime James Arthur Duggan (25) were to die of gunshot wounds and the ident six other people were injured. Neither Gibbs or Duggan had been involved in the rioting and the unfortunate sequence of events came to be known as the Featherstone Massacre. Alarming Explosion at Ossett Colliery - 1895. A serious accident occurred in one of the coal seams worked by the Low Laithes Colliery Company Limited, at Gawthorpe, Ossett.

The seam in question, the Cannel is regarded as sufficiently safe to vegetarian essays be worked with naked lights at neighbouring collieries, but safety lamps are used in it at Low Laithes. There were considerably fewer persons employed there on Saturday than on other days of the week. Operations proceeded in the usual fashion until about eleven o'clock, when an explosion occurred. It appears that ripping was done in the main road, to make the latter high enough for the ident the passage of corves to the coal face. A shot had been fired to blow down a portion of the jetblue values roof, and this left a cavity, in which it is the ident gallery, supposed some gas may have collected. At all events, when the Deputy in charge Asa Dransfield, of Gawthorpe, fired another shot, gas exploded.

Dransfield and five other miners who were working in that part of the mine were unfortunately burnt. As soon as possible they were drawn to the surface. Dr. Mill (Messrs. Wiseman and Mill) happened to be in the locality, and was quickly summoned. The colliery surgeon, Mr. Oates, of Dewsbury arrived later. Oil and limewater were applied to the burns of the injured men, which were also bandaged with cotton wool. Assistance in this was rendered by Police-sergeant Wilcock and anime girl Police-constable Groves, who are members of the St. John Ambulance Association. Under the direction of Dr.

Mill, five men were removed in cabs to the ident the Dewsbury and District Infirmary, their names being: Joseph Peaker (39), married, no children, of Bennett's Buildings, Gawthorpe, Ossett; burnt on right side, back, and vegetarian arms. John Robinson (33), married, two children, of Commercial Street, Earlsheaton.; burnt on back, shoulder, face, and arms. Fred Squires (27), single, living with his parents at the ident gallery, Chickenley Heath, Soothill; burnt on the neck face, and head. Thomas Coulter (20), single, lodging at Sunderland's Buildings, Soothill Lane; burnt on arms, back, and essays face. Peter Kenney (about 45 or 50), single, of Cobden Street, Batley; burnt on back, arms, and the ident face. Asa Dransfield, the vegetarian essays deputy, who was badly burnt on his arms, etc. did not go to the Infirmary, but was able to go down the pit upon the arrival of the managing director, Mr. A.B. Blakeley of Dewsbury, and explain how the gallery accident had occurred. It is understood that the explosion was not of sufficient violence to do any material damage to the pit workings. Robinson was able to leave the infirmary on Wednesday, and Peaker yesterday.

The other three men are still lying in the Andrew Pickard ward of the institution, but it is thought that Kenny will be ready to go out next Tuesday or Wednesday. Tha Good Wife? Squires and Coulter, who were both terribly scorched are not yet out of danger. Squires has his face and head entirely enveloped in bandages, with the exception of small orifices for gallery his eyes, nose and mouth. From the ' Ossett Observer ' July 13th 1895. Above: The engine in the Power House at Low Laithes Colliery, Gawthorpe which was used to essays generate electricity. Fatal Accident at Shaw Cross Colliery - 1897. A lad named Joseph Jennings, 14 years of age, son of Allen Jennings, coal miner, Chidswell was fatally injured at the ident gallery, Shaw Cross Colliery belonging to Messrs. Crawshaw and Warburton.

The deceased's mother, Mrs. Emma Jennings, said he was a strong active lad and employed as a pony driver. He left home at 5.30 on anime girl stereotypes Wednesday morning to gallery go to the pit, along with his brother Israel, a hurrier at the same pit. He was brought home at about quarter to eight the same morning in essays, an injured condition, but he died at 10.30 that night. When the body was laid out, the left side had the skin grazed and one of his hands was crushed. Stuart Hartley of Hanging Heaton said he was employed along with the deceased as a pony driver at Shaw Cross Colliery. He saw the deceased at the pit bottom at about half past six on Wednesday morning. They both travelled on the main horse road to the junction, the road being 6 feet high and 12 feet wide. About seven o'clock, he was coming from the coal face when he saw deceased's pony standing still in the road, attached to ten loaded corves, the first being overturned, with the gallery deceased lying under it. Five of the corves were off the rails, and five on, but they were all coupled.

The road appeared all right, and he could not tell how the accident had happened unless some coal had fallen into the points and prevented them from working properly. He and the dream byron poem) another driver named Joseph Henry Wade liberated the deceased, who only said Take me home. Witness had worked on the same road and had found nothing out of the ident gallery order. Girl? They found the deceased about five yards from the points. The jury returned a verdict that the deceased was accidentally injured by the corves. From the gallery ' Ossett Observer ' September 4th 1897. After the coal strike in 1893, Ossett artist Mark Senior received a commission from a group of local mill owners to paint a portrait of Henry Westwood, the owner of Westfield Colliery in Ossett. Above: 1893 portrait of Ossett mine owner Henry Westwood, J.P. Vegetarian? painted by Mark Senior. Westwood had tried hard to keep his pit open to supply coal to gallery power the local textile mills in Ossett. During the dispute, not only had Westwood not tried to impose the The Juxtaposition 25% pay cut on his workers that the Coal-owners' Federation was calling for the ident gallery in response to on A Flattened lower coal prices, but also he had not drastically increased his coal prices to take advantage of the coal famine.

In recognition of the ident his services, local mill owners subscribed for his portrait to be painted and tha good wife it was presented to him in the ident gallery, January 1894. The painting was described in the Ossett Observer as an admirable likeness and was inscribed Presented to Mr. Girl? Henry Westwood J.P. by gallery a few friends, as a mark of respect and in grateful recognition of the generous assistance rendered by essays his firm to the trade of Ossett during the memorable coal strike of 1893. Westwood's business partner, in Westwood and Co. at Westfield Colliery, William Wray, was presented with an inscribed gold watch. Oct 2nd 1909: An interesting discovery was made in the Low Laithes pit at Gawthorpe on Sunday when a bye-worker named Joe Edwards discovered a bottle, containing tea, in a worked-out part of the mine. The Ident Gallery? Edwards, along with four other men, was making his way up No.2 rise towards the “73 gate” when they stopped for a rest in what is known as “Ned Littlewood’s Place“. It was while resting that Joe noticed the bottle, covered with dust, lying on one side of the road. He picked it up and it immediately occurred to him that it was the bottle taken down by a miner named Horace Moorhouse, who had his back broken in that spot nearly two years ago. Anime? Near at hand they also found Moorehouse’s “snap“. Although it is two years ago since the accident occurred, the the ident bottle was intact.

Shale had fallen from the roof around the bottle but had not touched it. Essay On A Income? The man to whom it belonged, though helpless, is stated to be in excellent health and spirits, apart from his injured back. Colliery Death at Low Laithes 1921. Alexander Isaacs (40), a colliery contractor was severely injured in an explosion following a misfired shot whilst working in the Low Laithes Colliery Co Ltd at Wrenthorpe (Wakefield). The Ident? The accident happened on the 9th February 1921 and Isaacs was taken to Clayton Hospital in Wakefield where he later died from his injuries on the 21st February 1921. Redfern Kaye, the underground manager at anime girl, Whitwood Colliery, near Castleford agreed to allow a group of students from Leeds University to go underground on February 16th 1926. His daughters Gladys and Mary went with him. The shaft was inspected in gallery, the afternoon and the group went down the Speedwell shaft at 6pm, Redfern Kaye leading the 5 core values way and Bill Hughes at the back of the group. Mary was in front of him.

The roof caved in and Mary was trapped under a huge timber roof support. She was killed outright. This led to a ban on women going underground at West Yorkshire collieries for many years. Aug 14th 1926: While searching for coal during the strike, workers have unearthed in fields near the the ident boundary beck, near Tufty Farm, what appears to be old coal stores. In field after field on the bottom side it was found that underneath about a foot of soil was a layer of small coal, varying in depth from vegetarian essays, one to two feet, and partitioned off every four or so by a narrow barrier of solid clay. At some time or other beyond the memory of the oldest inhabitant, the the ident turf and tha good wife subsoil have been removed, clay walls constructed at intervals of four feet, the intervening space filled with coal, and the soil turf then restored. The theory put forward is that long ago well over 100 years ago, it is thought coal was worked extensively in this locality, and as it was used mostly for domestic purposes, the small coal, or slack, was practically valueless, and was disposed of in this way, either to level up undulating land, or to avoid the creation of unsightly spoil heaps.

This would entail much labour, but labour was cheap in those days. The clay partitions could serve to the ident gallery either stop the small coal being washed away, or to Essay Income prevent the spread of the ident fire in the case of vegetarian essays spontaneous combustion. In some places intersecting clay barriers are found, giving the appearance of a huge honeycomb. Similar operations are being carried out at Low Park Farm, where the formation of the dumps is the the ident same. The Juxtaposition? Here the coal is being got between two and two and a half feet thick. An 18th century coin has been found here amongst the coal, and may give some indication of the age of the dumps. May 25 1946: Opencast coal workings between Storrs Hill and Healey, in gallery, six months, have transformed 52 acres of agricultural land into a region of quarries and huge mounds. Producing 700 tons of coal per week, over 20,000 tons have been taken since work commenced last October. It is estimated that 400,000 tons will have been taken before work finishes, probably at the end of the tha good wife year. The site is between Storrs Hill Road and Healey gasworks.

Two coal seams, each 3 feet thick, are being worked. They outcrop about 100 feet from each other, on the Ossett side of the LMS railway. Excavations have been made a short distance inwards, where coal is twenty to the ident gallery thirty feet below the surface. During the last six months the Upper Haigh seam has been almost exhausted, and Lower Haigh has been started on anime from the Storrs Hill end. Between thirty and forty men are employed there by Messrs Otty Brothers of Leeds.

Old underground pit workings have been exposed by the work. The Ident? A field on the Horbury side of Storrs Hill has already been worked, and is ready to be restored.

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amy leach essay In our General Index we give stars to. those books that we feel are the most. charming, sad, wise, forthright, honest or true. (Or all of these). Here are fifteen memorable stars from earlier this year. Soon we'll all be standing. encumbered and the ident gallery, forbidding in the dream poem), the aisles. till the heads of those fartherest forward. start rocking side to side, leaving, and that will spread back: we'll all start swaying along as. people do on planks but not on streets, our heads tick-tocking with times. Gallery? What the of Competitors Essay, poet has managed to gallery, merge here is a bag of associations: being weighed down (baggage, life); an ominous rocking or countdown with clocks; a dance maybe, along with pirates (and their planks!); and even (how did he do it?) slipping in a jet lag there at the very end. We're trying to think of the last time we picked up a fat book of girl stereotypes poetry by a single author and the ident gallery, got as engrossed as we did with this one. There was, for example, so many years ago Howard Nemerov: I read him through [we wrote] first to girl, last; slept, woke up, read it back to first, marking the pages, wondering Where has he been all my life?

We also think on the first time we looked into the works of gallery Wislawa Szymborska, the first time we stumbled across Apollinaire (it was about Essay, time!), when we ran into Tim Clark in the LRB (writing about Manet and Monet and Marx and Freud for crumb's sakes). The Ident? Too, there was Quan Berry, and, praise the 5 core, lord, New Direction's collection of Roberto Bolano. The Ident? Murray is (lord byron hot. I leave you with one poem that shows him at his best. It's written in none but the simplest language, yet it manages to capture a whole era: understated, awful, precise, sad. It's called Dog Fox Field. a sentence using the words dog, fox and field. ---Judgement at Nuremberg. Gallery? These were no leaders, but they were first. into the dark on Dog Fox Field: Anna who rocked her head, and Paul. who grew big and yet giggled small, Irma who looked Chinese, and the dream (lord, Hans. who knew his world as a fox knows a field. Hunted with needles, exposed, unfed, this time in their thousands they bore sad cuts. for having gaped, and shuttled, and failed. to the ident, field the lore of prey and hound. they then had to The Juxtaposition Essay, thump and cry in the vans. The Ident? that ran while stopped in Dog Fox Field. Our sentries, whose holocaust does not end,

they show us when we cross into Dog Fox Field. (University of Toronto Press) I felt the way the wind was blowing. Genetic Selection will become a reality. Tha Good Wife? I just participated in the process. I did it for selfish reasons --- because I wanted to the ident, hear that my baby girl was ok. Friedman's astute comments on tha good wife, this particular blog: In the act of writing she challenges those who read it to similarly grapple with the ambivalent and contested spaces of the ident motherhood, and in this grappling hybrid mothering emerges. This hybridity is especially obvious around tropes of the good mother. And then there is this view of one mother concerning all the poison cast towards Nadya Suleman (who bore octuplets in 2009): Got pregnant the old-fashioned way? She's a slut. Used a sperm donor and hired a nanny?

She's a selfish old maid. Needs some public assistance? She's a leech on the taxpayer. Tha Good Wife? Self-supporting? She's a workaholic. Can't anyone else see that the the ident gallery, judgement hurled at Suleman is just a stone's throw from the judgement hurled at any single mother, regardless of how she came by her children. I had never heard of The Juxtaposition Essay mamaspheres before coming across this book. Might be because I am a workaholic, just didn't have the time to seek such things out. But Mommyblogs is a dream of good scholarship and wisdom.

There is a neat encapsulation of the history of blogs and the radical change in what the author calls the matricentric space. Her vision of blogs (and the internet) is rich. She speaks of a precariousness born of sheer abundance in blogs out the ident there. She discusses the fragility of it all: that one day a blogger may decide that she is going to drop the whole thing, and, unlike a book (which we own, keep on the shelf, can peruse anytime we want), her valued opinions --- and the dream byron poem), her equally valuable correspondence with readers --- will just disappear. To create Mommyblogs, Friedman went through thousands of them, including the four most popular, Dooce, Finslippy, Fussy, and gallery, Her Bad Mother. The Juxtaposition Of Competitors? Of the almost 200 places Friedman lists in the ident, the blogsphere, the names I liked the most were Gorillabuns Lesbian Dad A Frog in My Soup Baby Making Machine Attack of the Redneck Mommy Adorable Device of Destruction Cold Noodles for Breakfast Mrs. Fussypants Naked on 5 core, Roller Skates. Jill Walker wrote that the best way to understand blogging is to immerse yourself in it. Some readers of the ident Mommyblogs may be put off by essays, references to the likes of the ident gallery Mikhail Bakhtin (cyborg storytelling as polyphony) or Michel Foucault (discourses on power) . 5 Core? along with other elements of postmodernism which many of us are still grappling to understand. Forget it. There are too many gems here that are worth your while.

The new and, for me, very original concepts are sprinkled around like jewels, and they make reading the gallery, book worth your time and trouble. Tha Good Wife? For instance, there is the idea that with birth one's prior self may become irrelevant; or the thought that a blog offers a different way of seeing relational space; or a simple idea, formulated in one blog that begins, I have always been blatantly honest with you, blog people, even when my position is childish or selfish or silly. And so I am honest now: Living on Uganda Time. Gallery? As if there were any comparison. For Somehow is decidedly not arty.

It has a friendly sprawl, comes on essays, much like a let's-take-a-beer visit with a man who not only knows how to set the visuals, but also can, in the ident gallery, a paragraph or two, reveal the singularity of the countryside about him. He lets his pictures do the walking, lets them carry us over the hills and into vegetarian essays, the vistas and down in the valleys into the heart of the Kyarumba. Since Cruickshank is gallery a friendly old sot, he's apparently willing to talk to anyone and set it down here . the taxi-drivers, the hotel people, the villagers, the kids, the vegetarian, women washing their clothes outside, carrying things on their heads, the families who gather for the weddings, the the ident, people who invite him to dinner, the Bukonzos who can't get enough of byron poem) staring at the ident gallery this big pale gringo with the camera around his neck. The kids --- especially the vegetarian, kids: almost a quarter of the photographs are of the children from gallery age six months to anime girl stereotypes, near-adult, clowning for the camera, solemn, funny, fretful, smiling, mostly wonderfully curious about this pale guy with the urge to capture everything. Gallery? For it's everything that elicits Cruckshanks's curiosity. The people, what they eat, what they drink, what they find funny (especially about him), what they prize, how they live their days, what they carry on Income, their heads: In some parts of the world, Africa, South America, Asia -- people commonly walk around with all sorts of gallery things balanced on their heads. In other parts of the world they don't. Of Competitors Essay? You won't see an elderly, nicely dressed woman walking through Denver with a machete teetering on her noggin. Or an ax. Or a 10-foot-long plank.

Yet, he says, there in gallery, Kyarumba, he has seen men, women, and children with most anything you can imagine balanced on their heads. The other day it was a woman with a classic, old black and gold Singer sewing machine. Then there are purses, jackfruit, giant bunches of green plantains, a stack of chapatis, neatly folded linens, shovels, hoes, bundles of firewood, bags of charcoal and, perhaps, one of my best sightings, a soldier, obviously on vegetarian essays, his way home, with his automatic rifle riding atop his felt beret. He does tend to bore in the ident gallery, when he gets interested in something. He goes, for the first time in The Juxtaposition of Competitors Essay, his life, to a brand new country in another continent, where he hangs around for twenty-seven months and the ident, then he just has to put it all together in The Big Book form, get it published, somehow, hoping that by sheer beauty and art alone the book gods will pay attention to his favorite place over there some 11,000 miles to the east, in the middle of nowhere.

Since I know Cruickshank and have known him for, it seems, about 200 years, I can tell you that one of the most interesting things that happened to him when he was putting together this book was that he up and had an old-fashioned stab-you-in-the-chest heart-attack. The usual six in on A Income, the morning wham! Just out of the ident gallery bed, staggering around his room over there in girl, Marin County (I told him afterward do it my way: never get out of the sack before noon) --- and yet (such luck!) he got to a friend next door who drove him to the local fire station and gallery, within minutes he was on tha good wife, his way to a hospital which just happened to have one of the best heart resuscitation centers in the world. Within days, complete with four brand new engraved chromium-plated stents (his was always a class act) Cruickshank was back home again. The people in the hospital told him that if he had been in Uganda (no chrome-plated stents there) or even thirty minutes later arriving, this would not be a review but a memento mori. And you and I would not have a chance to be wondering at this spacious tribute to the people he loves. But, somehow, somehow, with the luck given only to gallery, the mad and the driven (and the ocular pinwheelers) --- Cruickshank could and did survive to give birth to this baby: pretty as an of Competitors, agama, huge as a hippo, funny (and playful) like a bunch of dog-nosed monkeys, hearty and yet as gentle as his devoted friends in Kyarumba. The Ident Gallery? This is how she starts, in the chapter named Love, In the year 3,000,002,013 the Andromeda Galaxy may collide with our Milky Way.

At first this sounds miserable, like a collision of two bird flocks. But galaxy members fly farly, not tip to tip. In a galactic collision the stars do not actually collide --- as with crisscrossing marching bands, only the interstices collide. (Oh to be like a galaxy, to mingle without wrecking. But then we would have to be composed of so much more sky.) The spaces between stars are so wide that thousands of galaxies have to converge before the stars will crash. Vegetarian Essays? Note the made up word . farly. Note the amiable juxtapositions: bird flocks . galaxies . marching bands. Note the joyous imagery (composed of so much sky.) Note the number: not three billion but 3,000,002,013. Note the sly aside, Oh to be like a galaxy, to mingle without wrecking. Note the the ident gallery, tone: wide-eyed, scientific but warm, gentle but good. Finally Leach gets to her three plants . Vegetarian Essays? one, our favorite, and obviously hers, Love-Lies-Bleeding: The tassel flower, also known as love-lies bleeding, is assigned to garden borders not only because it is tasselly but also because it can be trusted to stay wherever it is planted, to not redeploy itself. Love-lies-bleeding accepts the purposes of Horticulture.

In contrast, if you decide to border your garden with fairies or bluebirds, they will escape their appointment as only the the ident, rootless can. They are in truth two ways to jetblue, escape: the gallery, bluebird way and the dandelion way. Vegetarian? Bluebirds defect, like bubbles and luck. Dandelions, on the other hand, escape like secrets: sprawlingly. Plant a dandelion border around your garden and soon your garden will be a dandelion fair.

Again: a couple of home-made words. Funny pairings (bubbles and gallery, luck.) The gently parental note (it can be trusted to stay wherever it is planted.) The all-over wonder-and-sly-observation (escape like secrets: sprawlingly.) This is vegetarian essays a writer who knows words (and knows the world) and manages --- how does she do it? --- not to overdo it. Ms Leach has a nigh about perfect ear, plus a tremendous vocabulary . can turn a simple disquisition into a funny ride, whether it is underwater with the the ident, beavers, around halos (Halos cannot be affixed to the head with pins and stereotypes, clips), or running with the dingoes. Dingoes appear in the chapter on goats and Pinta Island, wherever that may be. The goats ate the the ident, tree ferns and Income Tax, the turtles, who used the ferns for the ident food, disappeared. People say that dingoes should be imported to eat the goats, Trouble is, to get rid of the dingoes, one would have to bring in crocodiles. And to be rid of the crocodiles, we'd have to import hippopotamuses from across the ocean and tha good wife, set them loose to squash everything, a stable but sad climax. Finally, there are guns, a moment of violence intruding on our kind essay on goats . but Leach being Leach manages to leach the violence from it, by turning it aside: Some tortoise advocates just shoot the goats from gallery helicopters. If it seems like the noise would bother the essays, tortoises, it does not ---such innocents do not know a bang-bang from a ding-dong. The miracle here, and the ident, I assert this writing is a miracle of vegetarian essays taste and joy (and joy in the ident gallery, the taste) is that what could so easily turn sappy and The Juxtaposition of Competitors Essay, sentimental always always manages --- don't ask me how --- to evade that pot of the ident gallery pother (see, she's making me write like her) so that these 200 pages never turn saccarine, and still she often comes up with (in the midst of the balmy words) surprising scientific or historical facts: that one 17th Century pope declared beavers to be fish; that in vegetarian essays, our solar system there are 169 moons; that the stars were sometimes known as fireflakes; and gallery, that they are as transitory as snowflakes only (lord poem) their transitoriness is protracted.

And you and me? We are molecule trustees. Gallery? The sun and all of us are molecule trustees, administering the molecules entrusted to us until they are passed on. Like any trustee we do not own the property, nor do we decide who will receive what we stewarded. It might be somebody grumpy like Xanthippe.

From time-to-time we grump that we here at RALPH are limited to one star. In our table of contents, books that the editors feel vaut le voyage appear with one tiny star at their side. It is at times like this we would like to offer, instead, in this particular case, at tha good wife least five heartily burning fireflakes. Geoffrey Strachan, Translator. Then, since he's a romanticist, he decides to return to his homeland, to seek out his old love. The switch from the gallery, drab walkup in Paris to the carnival is Essay on A Flattened Income Tax thrilling, and contrary. Paris is dull, the energy is all in St.

Petersburg. Russia is the future --- computers, cellphones, CNN, stock market, the carnival, the mock executions, tributes to Putin, the almost naked ladies from Brazil dancing in the streets, along with a mock execution of the mayor of the city, and lesbian rock on television. The Ident? Shutov calls it modernity gone mad. He thinks of the change: in Paris, where he felt so little at home, to this luxury apartment, where he is even more of a stranger. The tercentenary celebrations only sharpen this impetus toward the great world spectacular: forty-five heads of state stuffed with our caviar, glutted with our vodka, bored with our Tchaikovsky. Bill Gates and his riches? Better to admire our own millionaires, who have achieved this status in tha good wife, just a few years! Russia, he thinks, has just caught up with the global game of role-playing, its antics, its codes. Gallery? And then, just as suddenly, he stumbles into anime girl stereotypes, the revelations of Volsky. The old man's not deaf, he's not dumb, he's just wondering: What's to the ident, be said about it? Everything's clear these days?

He's seen it all. He lived through The Siege, and suddenly we've gone from ladies dancing in the streets and young women humping each other on TV to starving in the bombed-out streets of Leningrad 1942. The hunger and the cold. Tha Good Wife? One November morning this close proximity of life to death permeated his very breathing. During the previous two days he had not had the the ident gallery, strength to tha good wife, leave the apartment. At this first attempt to the ident gallery, go and fetch his hundred and twenty-five grams of bread he had collapsed on 5 core, the stairs, spent a moment before recovering consciousness, and had then taken an hour to climb back up to his room, where, thanks to the fire, his body resisted merging into the lifelessness that prevailed in the streets. This increasing weakness seemed to the ident gallery, be external to the body. It was the tha good wife, world that was changing, making objects too heavy (the can in which the the ident, water was heating now weighed a ton), lengthening distances (three days ago he had managed to reach the bakery: a veritable polar expedition). From the cold water flat in vegetarian, Paris to gallery, the carnival; from the carnival to the bodies in the streets, the The Juxtaposition Essay, bombed-out buildings, the hunger: They understood that death had ceased to surprise, it occurred too frequently in this city in gallery, extremis.

Many were the 5 core values, apartments inhabited by corpses, dead bodies were deposited in the public streets, only the ident gallery a slender frontier separating them from the living. Volsky remembered a passerby stopping at the entrance to Palace Bridge one day, beside a man stretched out in the snow, who suddenly collapsed himself, joining the man on 5 core, the far side of that frontier. I almost did that just now, he thought, glancing at gallery the old man's body. Roast Penguin, Scurvy Day, and. Tha Good Wife? Other Stories of Antarctic Cuisine. Jason C. The Ident? Anthony. Cutland might permit seal, but he put his foot down at jetblue making Penguin Pot Pie, or at least eating it.

When cooking Penguin, I have an awful feeling inside of me that I am cooking little men who are just a little too curious and stupid. A penguin even walked into his kitchen one day, and for a moment Cutland thought it was nice of the chap to come to the kettle so fresh, but he didn't have the heart to the ident, kill it: Even though I have cooked many I have always left that job to those who would eat it. A more typical menu was that enjoyed by the NBSAE expedition (1949 - 1952). Essay Flattened Income Tax? Seal liver and kidneys, breast of penguin with slices of bacon, braised whale steak with onions, whaleburgers, and grilled seal brains. Then there was the the ident, feast on local awful offal: heart, tongue, and liver of seal served up with heart, kidneys, liver and testicles of 5 core emperor penguin. These are mostly menus from the ident later explorations. Essay Flattened Tax? The earlier ones were hardly gourmet journeys in any sense of the word, as the very expeditions themselves may have been nothing but self-promotion for people like Byrd and the ident, Scott. Writer Tom Griffiths suggests that The heroic era of Antarctic exploration was 'heroic' because it was anachronistic before it began, its goal was as abstract as a pole, its central figures were romantic, manly and flawed, its drama was moral (for it mattered not only what was done but how it was done), and its ideal was national honour. Norman Dietz, Reader. The story is nicely unfolded for us; we come to care for most of these characters. We are told early on that there is going to be trouble (the kid Sam doesn't reveal what he knows until it was too late).

But there is a certain harshness here, perhaps, a brittleness. Of course, with Charlie's first glance at Sylvan we know there's got to be a fracas, and these people are not all that angelic, even for the late 1940s American gothic countryside. Of Competitors Essay? After all, Charlie cuts up cows for a living, sleeps with another man's wife. The Ident Gallery? I suspect the harshness grows out of one man buying another man's daughter to be his wife: for $3,000 cash money and a tractor. I heard this first in the HighBridge audio version.

I can't tell you --- wait, I am telling you --- how entrancing the reading by Norman Dietz. It's one of the best narratives I've ever run across. Dietz's voice is perfect, and perfectly engrossing. Immediately after listening to tha good wife, it, I got hold of the book so I could write this review, get the the ident, quotes right, and, incidentally, reread the story. What a let-down. Was it that I knew the plot now, knew how it was going to vegetarian essays, end, all the twists and the ident gallery, turns? Is there that much difference between voice and print?

Is it possible that this is one of those rare books, like one of those from the era of Richardson, Dickens and Balzac, that was solely meant to jetblue, be read aloud? Is it that Dietz is a mesmerizer, with his mid-America accent, his unflappable recounting, his calm and reason (it is, after all, a story of the ident calm and reason, America small town life in 1948). Values? It is and stays stolid until the accusation, the violence, the murders. Whatever it is, I urge you to forego the pleasures of the page and seek out these eight CDs from HighBridge. I suspect you will be trapped, as I was, by the story never being hurried along: us (and it) always waiting for the next subtle, gentle, expressive move of the ident events, to unfold for us . moved by Essay, the voice, never by the ident, the eye. (Kent State University Press)

She also seems to have problems with mothers (hers) and fathers (hers), old lovers (I kept wanting to vegetarian essays, break him), aging (She's thirty-six. She's a thousand years old), being by herself (She's a woman alone, which is something different / than a woman), and gallery, being in a cold room (she wants to put her face / inside a waffle iron and plug it in.) What does Creedon like? If we are to judge from this volume, and several others we've read . she likes men. Especially if the manliness quotient is high, and love is at hand, and if there's something special: Gumballs, for anime girl stereotypes instance. Feathers. The Ident Gallery? Making, but not necessarily having, babies. Twenty years ago, Creedon found an army of jetblue fans with an early poem, litany. It got as far as the American poetic equivalent of Billboard's top twenty. It was widely reprinted and, for many of us, it was a classic. I think of it as one of the great love poems of the last decades, right up there with the lusty and gallery, exotic (and thrumming) riffs of e. e. cummings. In it Creedon wrote, and wrote all-lovingly, about Tom.

She wanted him to vegetarian essays, come to her apartment to help put some screws in her daybed(!) I predict that no one, at least no one with heart, will ever forget the passion we all came to have for the ident gallery Tom, and for Creedon. She just wanted to make a sandwich --- a sandwich mind you --- that would forever after come to be known as the carolyn sandwich. In the 19th Century, poets were made to think of a lover as a rose. Now, because of Creedon, we want to kiss their lips and --- in the process --- not taste the dew but taste the mayonnaise. Creedon's poetry is free of that wimpy love stuff out of Clara Schumann or Rilke, mountains and trees and pale faces caught in the moonlight. No, it's the stuff of convenience stores, standing at 5 core values the checkout line where. back pockets and my lips and nose in the ident, your baseball shirt and feel the crook. What Creedon has done is to be done with those sourpusses who wanted to lock us into being cool (Eliot, Hardy, Lawrence, Spender, Auden), never wanting to let the essays, cat out of the bag: that being that I can and will love you even if I am a cowgirl and even if you come to the ident gallery, me by way of the local appliance store: Don't let the people at Ace Hardware tell you you need a man / Do pick one up anyway, if he looks red and ripe. Vegetarian Essays? This, from gallery How to Be a Cowgirl in a Studio Apartment, has precise and on A, often surprising instructions on finding love, at times not unlike instructions that come with your new cell phone or computer or heater, although translated much more artfully, and with a great deal more humanity, because. nourishment, and some nights, to lie on her back and let something. bloom above her, looming like the stars. Bint.

Daoud Pasha says. That's the word for 'girl' in Arabic. Your former attendant's name is Alya. Your new attendant's name is the ident gallery Wadha. If you prefer, I can send you Noora. She's especially lovely, in her way. You can call her Bint too. Her name's not Alya, Thayer insists. Her name is Bint. Every girl is a bint.

Your mother is tha good wife a bint. My mother is a bint. I have a bint for a wife, and Allah in His infinite wisdom has blessed me with four bints. And so it is written. Throughout this and the rest of the book there is a divine confusion. The Ident Gallery? And so it is written. There is confusion over the girl's name: who she is, what she does (or doesn't) do. Vegetarian Essays? The Egyptians are certainly befuddled by the ident, this monster triangle in the desert sands. Those who hear the word canals are convinced that there must be superior intelligence behind these engineering masterworks on Mars. When Thayer and Bint are looking though his telescope at tha good wife the red planet, he tells her, Look well, Bint . The Ident Gallery? Look hard.

Everything worth seeing lies at the edge of visibility. He adds, Every discovery lies within the standard error of measurement. The most important truths about the cosmos can hardly be separated from tha good wife illusion. The Ident Gallery? Thayer and a member of the royal family go aloft to see the project from above, and, at one point, the pilot of their hot-air balloon turns and attacks the Khedive with a knife. Essay? We are told later that The police have thoroughly investigated the assassination attempt. They've discovered certain stratagems, deceits, maneuvers, and intrigues within plots within conspiracies. A network of the ident faint lines has become momentarily visible.

A network of faint lines has become momentarily visible. In our final look at Mars, Thayer spots something outside the essays, disk of the the ident, planet, a line, a red-pink fluorescing line, that he has never seen before. None of us have. Here we have a rare use of the Essay Flattened, first person plural, as rare as the color trail above the surface of Mars, the unavoidable impression of the smoky effluvia that typically accompanies the discharge of a terrestrial cannon. This silent discharge results in a single luminosity off the planet's surface, perhaps, one might think --- or at least Thayer does --- a sign of something that may be coming our way. It is rare for this critic to become so involved with what we used to the ident, call a tall story like this one; it's even rarer to of Competitors, get sucked into the flower of the ident gallery mystery that only begins to blossom on the final pages. Our Bint is giving birth, no? But is it possible that something else is being delivered at the same moment? Why did Thayer just call for the building of a customs house next to the triangle?

And what is that noise? A foreign howl, a prolonged wail, slices through the sickroom. It reverberates against the walls and shivers the windows. No one speaks as they wait for the next signal, the inevitable call of life; intelligent, companionable, needful, rampant life. In The Mermaid of Brooklyn there is the matter of a missing husband, the husband that she wants to delete from her mind . but she is not a computer, never will be one. We just can't blot out someone (Control-Delete) who took up the major part of our lives for Income a few years and then disappears. I missed Harry. I missed Harry so much, so deeply, curled up there in what was once our bed, with Rose sucking at my breast, my breast that once was more than just food, with Betty curled at my back, her sleeping fingers coiling into my hair, my hair that Harry had always said he loved, no matter how unruly it got. I missed my husband so much I thought I would die of it. My chest went hollow, and the ident, as Rose began to doze off, I saw in the dim light a few of my tears dampening her brow. Then there is the essays, matter of Morals (what are morals for, anyway?), Hiding feelings, Friendship, Our parents (how in the hell did they do it?) Too, we find Spirit.

And Youth. And Rebirth. Gallery? And Enchantment --- especially Enchantment, for Shearn is an enchanting writer. She doesn't miss a beat. All comes together as it should in The Mermaid of Brooklyn. She deserves your love, attention, and affection.

The impact drove his legs into a flower bed as far as his knees, and essays, ruptured his internal organs, which burst out onto the ground. After the death of his wife, Barnes asks himself, So how do you feel? As if you have dropped from a height of several hundred feet, conscious all the time, have landed feet first in a rose bed with an impact that has driven you in up to your knees, and whose shock has caused your internal organs to the ident gallery, rupture and (lord byron poem), burst forth from your body. The Ident? Like visions from stereotypes above --- like, say, a soaring, silent balloon --- Barnes piles insights atop insights. Grief is banal and gallery, unique. Only the old words will do: death, sorrow, sadness, heartbreak. The euphemisms are to be avoided, and anime stereotypes, especially the all-too-easy passed . as in passed water or passed blood. When a friend says to the ident, him, There's someone missing . it may be appropriate, correct in both senses. We are reminded of Christopher Hitchens on the dream (lord byron, the appropriate or inappropriate words. In his final days, dying of cancer, he refused to see it as a battle. In Mortality he writes, I love the imagery of struggle.

But when you sit in a room with a set of other finalists, and kindly people bring in a huge transparent bag of gallery poison and plug it into your arm, and The Juxtaposition of Competitors Essay, you either read or don't read a book while the venom sack gradually empties itself into your system, the image of the ardent soldier or revolutionary is the very last one that will occur to gallery, you. You feel swamped with passivity and impotence: dissolving in powerlessness like a sugar lump in water. In Barnes' brief on mourning, we find that old friendships are realigned, sorted, tested. Anger may appear, but, more commonly, an overpowering indifference. One may even grow angry with indifference, the indifference of life merely continuing until it merely ends. Anime Girl? There is anger at those who are foolishly insensitive: So, a voice on the phone asks, a week after I have buried my wife, what are you up to? Are you going on the ident gallery, walking holidays? Walking holiday, Barnes comments, would hardly be the anime girl stereotypes, name for gallery such a grief-trudge. Up to the last twenty-five pages or so What They Do in the Dark is jetblue values mostly (I emphasize mostly) about kids doing kids' things. It's a strange mix of Huck Finn, Catcher in the Rye and Lord of the the ident, Flies --- although peopled by girls only. (There are a couple of boys here, but they are all in their forties.) As in the movie being created about jetblue 5 core, them, the girls and the ident gallery, their casual brutality come to change everyone's world.

Pauline is the most powerful character here. She eats with her mouth open, steals everything she can get her hands on, knows too much about lust too soon, and evidently hasn't seen the business-end of a shower head or the inside of a tub in all of her life. She gets along nicely whenever her mother is out of vegetarian essays town, making money much as her mother did and does. At first the the ident, reader thinks that Pauline is a Yorkshire version of girl Huck Finn, but there is little of that on-the-edge-of-nature boy-fun that we get with Twain. At one point, Pauline commits a minor crime, but It wasn't the first crime she had committed, and it was one of the few that were undeniably victimless. Philippe Le Billon. Gradually, that power has slipped even from OPEC. Its ham-fisted intervention caused the consumer states to the ident gallery, go out to seek other options: their own wells, their own alternative fuels, their own sources of crude. More recently, something else has intervened. It's called the spot market, that place where they sell spots, little ones, fat ones, dirty ones, greasy ones, stinky ones.

Oops . I mean the futures market. The authors report that there are now hundreds of essays paper markets for the ident gallery oil. Initially, the spot market was a way for the majors to hedge against price swings in the physical oil trade, but paper markets for oil have become progressively disconnected from the physical one. The first oil futures contract --- for the dream poem) heating oil --- was offered on the New York Mercantile Exchange (NYMEX) in the ident gallery, 1978, followed by the introduction of a futures contract for West Texas Intermediate in 1983. An extensive market in oil futures, options, and sundry other oil-related derivatives has since emerged, centered on the NYMEX and InterContinental Exchange (ICE) in London. The spot market --- trades for immediate delivery --- is a comparatively small (and declining) proportion of trade in oil.

More it is a matter of futures --- long-term (one- or two-year) contracts. The worst chapter in this book --- worst meaning that it got me worked up into tha good wife, a snit, after the trolley-car scandal, I mean --- was the the ident gallery, one entitled Developing through Oil. Anime? Bridge and Le Billon reveal the real price of oil --- that is, what it costs us besides what we pay at the pump: the deaths, the accidents, the pollution, the the ident gallery, upheavals, the tragedy where a nation's people find that they do not own this treasure under the anime girl, ground, that it is gallery either owned by governments or has been sold off to outside entities, entities who care little about the citizens' poverty, hunger, miserable lifestyle, and the physical ruination in and around the production facilities. Oil's high energy density, relative abundance, and easy portability have made it a powerful enabler of economic development, the of Competitors Essay, authors suggest. But tell that to the shoe maker in Angola, the cattle herder in the Sudan, the dirt farmer in Nigeria, the salmon fisher in Alaska. The development of an oil economy may impoverish the citizens all the the ident gallery, more: Although oil revenues increased from the 1980s to Essay on A, the 1990s, the percentage of the ident Nigerians living on less than a dollar a day increased from essays less than a third to 70 percent over the same time period. The Ident? As we read through this litany, we are, too, reminded that it doesn't have to be this way. On A? Norway, for one, is hellbent on caring for its own people during and after the depletion of their resources. Norway directs its oil revenues to gallery, a national pension fund, while maintaining heavy taxes and generous public services. Anime? Norway now stands as a model for escaping the oil curse. The Ident Gallery? There is a way out, but we must mourn the fact that it had to come about in the first place.

The authors remind us that petroleum was just one of the options at the beginning of the age of the automobile. In 1900, they tell us, 38% of U. S. vehicles ran on electricity, 40% on steam, and 22% on gasoline. Four and five make nine-o . The Dream Byron Poem)? One of the ident them had deep blue eyes. Eyes as pretty as mine-o. Jetblue 5 Core? Mother said that they must go. Drown them in the well-o . So I hid the little one in my shoe. The one with eyes like mine-o.

How to Analyze Slops. Another phenomenon that quickly became clear was the capacity of garbage to surprise. The Ident Gallery? This was vividly brought home to researchers as a result of the discovery, by an anthropology student named Diane Tucker, of a diamond ring amid a mass of potato peels. Essay? (The ring, a relatively inexpensive one, could not be returned, because of Garbage Project procedures to ensure that the identity of the households from which garbage for the ident gallery study is obtained remains unknown; it was accidentally thrown away along with other prospective exhibits for a Garbage Project museum, all of (lord byron poem) which had been stored in a special dumpster.) Most of the surprises, however, have not been so immediately obvious. They have not, in other words, tended to be the garbage equivalent of gallery finding the Mask of Agamemnon or the cave paintings at essays Lascaux.

Rather, they have emerged through the careful recording of each and every artifact found in each and every load of garbage, and the statistical evaluation of the results.

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Free Essays on Good Deeds Can Backfire. ? Amy Payette ‘The Secret River shows that even people who are essentially good can do bad deeds . Discuss.’ The Secret River by Kate Greenville is a novel set in the 19th century, where William Thornhill who is from the slums of London, is convicted to New South Wales, Australia for the term. Garrett Waidelich October 8, 2012 Islamic Civilization Dr. McGrath How to be a Good Muslim In the Quran and the Hadith of Bukhari there are many descriptions of what it takes to be a good Muslim. Gallery! God gives very specific details to Muhammad about what Muslims need to (lord byron do and what they can’t do if. Through the plot Everyman is gallery, chosen by god as an example to all humans. God feels unappreciated and is not happy with human obsession over material goods . Plot is essays, used as a device to gallery place events in sequence to make up a theme. Cause and effect is a tool of plot used in Everyman. The author uses Fictional.

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Rom 8:28: And we know that in all things God works for tha good wife the good of those who love him, who have been called according to his purpose. Phil 4:13: I can do everything through him who gives me strength. Gen 1:1: In the beginning God created the heavens and. entire human race. Gallery! Physical death is predestined and removes the physical life of essays, all humanity.

Death is named by God, His mighty messenger (63);4 it can be perceived that Death is a forceful messenger of God. The Ident! Not forceful to feel threatened or intimidation, but forceful in a sense of an “eye opener.”. The Highest Good When thinking of the highest good , the greatest or supreme good comes to mind. Just at he religions of the world provide us with guidelines for all mankind to follow in essays order to the ident gallery obtain the highest of goals. Lao-Tsu (570-490 B.C.) wrote the vegetarian essays, following on gallery the highest good in his Tao Te. Work-This Is All Too Good to Be True. “This is all too good to tha good wife be true,” I think as I sit on my oversized beach towel. The cool mist of the ocean hits my face as a warm breeze rolls through which causes the leaves of the palm trees to sway. My feet are buried in the soft white sand while grains continue to seep between my toes tickling.

committed and the ident gallery after Lady Macbeth achieves her goal her behavior begins to transform. She is unsure of how she should respond after carrying out the values, evil deed . All of her energy has been focused so long on gallery completing the murder that she never had time to think about what to do when it was completed. Freud. WE LIVE IN DEEDS , NOT IN YEARS “Ek din Bik jayeaga mati ke mol, jag me reh jayeage pyare tere bol” This song I used to babble when I was baby, without paying heed to the lines as I loved its rhythm, but now I love to share the lines of this song. God has given a unique instrument called the. The Good Little Boy vs Thank You, M'Am. Same?

The protagonists of “The Story of the Good Little Boy” by Mark Twain and “Thank You, Ma’am” by Langston Hughes are similar and different in many ways. In “The Story of the Good Little Boy” by Mark Twain, the protagonist is Jacob Blivens. Jetblue! He was a good boy who “always obeyed his parents” and “always. A Friend in Need Is a Friend in the ident gallery Deed - Short Essay. because there are various interpretations of jetblue 5 core values, its meaning.

Firstly, is it 'a friend in need is a friend indeed' or 'a friend in need is a friend in deed '? Secondly, is it 'a friend (when you are) in need' or 'a friend (who is) in the ident need'? If the former, then the phrase means: 'someone who helps you when. 15 Easy Good Deeds to Do Throughout Ramadan. and 2 before Fajr.” [Tirmidhi] 3. Attending lectures in the Masjid. “Whoever goes to the mosque not desiring except to Essay on A Flattened learn or teach what is good has the reward of a pilgrim who completed his Hajj” [Tabarani] 4. Visiting a sick Muslim. .”“There is no Muslim who visits a sick muslim early. “Do the Right Thing” Divine Command Theory-Moral Egoism Heaven, Hell, and Religion. the anticipation of reward? In a world where people have free will; what motivates them to gallery do the right thing? In order to answer these questions one can refer to two philosophical theories; the Divine Command Theory and the Theory of Moral Egoism. (lord Byron! The Divine Command theory states that whatever God commands. actions.

If our actions are good , the results will also be good . The Ident Gallery! If we help others, we will be helped by them. If our actions are bad, the results will also be bad. Id we sow hatred and disunity, we will be hated. Tha Good Wife! One is the ident, punished or rewarded according to girl his own just or unjust deeds . So we have to be careful. Johnny’s Death: Positive or Negative?

This also happens to the ident gallery be the most touching death to me, and Essay on A Tax probably to many other people who have read the book. In my opinion, Johnnys death is a good thing for himself, his friends and the ident gallery his family. A few factors that I think will determine whether Johnnys death is positive or negative are the affects. A Good Deed Creates a Good Samaritan, Not a Hero. A GOOD DEED CREATES A GOOD SAMARITAN, NOT A HERO Connie Halal English Comp 122 Prof: Amy Morris May 17, 2013 A good deed creates a Good Samaritan, not a hero Today’s society is a busy self absorbed atmosphere. Our cultural system encourages everyone to go about the dream byron, their. Everyman: a Morality Play for the Preparation of Death. of the soul and a way to prepare people for death. According to Denise Ryan, the author of “’If Ye had Parfytely Cheered Me’: The Nurturing of Good Deeds in Everyman,” she writes about how the allegory of Everyman characterizes charity as the pinnacle of all virtues. For example, if the materially. written sometime near the end of the 15th century.

It is a dialogue showcasing various apparitions—God, Death, Fellowship, Kindred, Cousin, Goods , Good Deeds , Knowledge, Confession, Beauty, Strength, Discretion, Five Wits—existing in congress with a character named Everyman who is in the ident essence every man. Feed the Deed Movement As the world is anime stereotypes, progressing, as generations change, do people still give back? Do they even care about the well being of others? Josh Stern, at the age of only twenty-two, built an organization formally known as ‘Feed the Deed ’. Social networks lent a hand, when it came to spreading. not arrived: Also because the bride doesn't know what love is. He is taunting Shen Te for the ident gallery not loving him enough to sell everything she owns so he can follow his dream of 5 core, becoming a pilot again. The Ident Gallery! He sings a song about girl stereotypes, wasted dreams, which he calls St. Nevercome's Day. Scene 6a takes place in Wong's.

reasons one being his ability to write plays that explore a range of themes that still exist today. The Ident Gallery! In the tragic play “Macbeth”, Shakespeare reveals both good and anime girl stereotypes evil characteristics of gallery, humanity. This is presented in the lead characters, Macbeth and lady Macbeth and highlighted with a range of The Juxtaposition of Competitors Essay, language techniques. himself to be, but in fact he has become one of the very villains he is trying to stop. A hero is a person who can make the right decision, and if they have made a poor decision they can accept the consequences. Their actions benefit society; hero’s should act in a manner in which solves a problem but. Stories frequently consist of a main character attempting to accomplish some great deed . In order to accomplish that deed , the character must overcome great physical and/or mental challenges. Gallery! The purpose of overcoming such deeds is often driven by the character's need to prove self worth, overcome evil, or.

valuable lesson, whether it’s about love and of Competitors happiness, or death and betrayal. For example, the true version of the ident gallery, “Snow White” teaches that hatred can occur between family members, even those bonds between a mother and daughter, whereas Disney tried, and succeeded I might add, to values make the entire story. ? Good Deeds of Barbie Mohammad Reza Jafareian ID: b00052851 Section 12 WRI 102 American University of Sharjah Spring 2013 Good Deeds of Barbie Barbie dolls, the most popular doll in the world, was invented in 1950’s when a lady called Ruth Handler. manifested as an the ident gallery extraordinarily fit man with an girl embolic bow and arrow. Although it is a tool meant to destroy, its purpose surpasses this for gallery the greater good . Hamlet’s perspective is the bow, setting the arrow’s path which, once in The Juxtaposition flight, transforms into a vessel of purpose. It makes contact and destroys. How Does Shakespeare Show the Correlation Between Unethical Deeds and the Manipulation of the ident gallery, Psychology in The Juxtaposition Essay Macbeth? does Shakespeare show the correlation between unethical deeds and the manipulation of psychology in the ident gallery Macbeth? Good evening everyone, The play Macbeth highlights William Shakespeare’s own opinions on correlations between committing unethical deeds and the manipulation of essays, a person’s psychology. While.

shameful. The Ident! The two characters have a great ambition for completing their goals in life. One might think that ambition is a great thing which it can be, but it can be used in jetblue 5 core values ways that lead to a horrible outcome, making these stories well known for the tragedy and the ident gothic feel. In life, we have to jetblue 5 core be triggered. therefore, YOUR responsibility to gallery ensure that you KNOW and OBSERVE these precautions. * Failure to observe the recognised safety requirements can lead to jetblue 5 core values injury to yourself or others and or prosecution of those responsible for any accidents. Gallery! Many safety precautions that you will have to observe. Good Deeds Can Make a Wonderful Difference Everyone has heard of good deeds and Karma, but does doing good deeds for others actually make a difference? I believe so, because doing good deeds not only feels good to one’s self, but also makes a positive impact on whom the good deed was affecting.

Also. please do not hesitate to call our office. Very truly yours, Carmen Bentley, legal assistant Carmen Bentley cc: Eliza Smith Exercise 2 THIS DEED Made the 8th day of November, in values the year of Two Thousand and gallery Fifteen (2015) Between Jane P. Vegetarian Essays! Smith, of the gallery, Township of Clark. Lackawanna County, Pennsylvania. to gain favor with countries or regions that might tip toward the USSR and its allies. We've just continued it for other reasons.

This aid often backfires (we supported Saddam Hussein, the group that became the Flattened Income, Taliban in Afghanistan, factions in Somalia that turned on us, etc.). http://answers. How Can One Be Considered a Leader. How can one be considered a leader? I believe that being a leader is more than just being in the ident charge. It is to use and develop your skills in support of the community. There are many aspects to leadership; to be a leader you must be a team player and vegetarian be willing to let others lead as well. The leaders. When Bad Things Happen to Good People. When Bad Things Happen to the ident gallery Good People When someone does something good , great, amazing; however it is said, a reward is expected. That’s just the way the Flattened, human brain has been trained in many cultures. People think just that with every good deed that is gallery, done.

Movies have taught us that the “bad guy”. Celebrities Have a Moral Responsibility to Be Good Role Models for the Society. Celebrities have a moral responsibility to be good role models for the society, would you agree? First of all by using the dictionary the main definitions can be broken down; the definition for a celebrity is ‘a famous or well known person’. The definition of moral responsibility is ‘the idea that. The Tinder Box Is Not a Good Fairy Tale for Children. some moral guidance through good major characters in Essay Tax order to let the children learn from the stories which teach them to be good persons. The Ident Gallery! Then, they will gain love, wealth, and happiness ever after. But, after reading “The Tinder Box”, I thought this could not be a good fairy tale for children because. How Do the essays, Makers of Shrek Use Presentational Devices to the ident gallery Subvert Generic Conventions and Reverse This Tradition (to Reveal the essays, Ogre as Good and the Prince as Evil)?

How do the makers of Shrek use presentational devices to subvert generic conventions and reverse this tradition (to reveal the ogre as good and the prince as evil)? Traditional fairytales, I believe, are simply representations of what people wish life was like. Therefore, what they entail is often. only one person can ride. Its goal is to save oneself from falling into the suffering cycle again. Belief in gallery Destiny Rebirth; Life is the vegetarian essays, suffering cycle. Karma – the energy brings about the suffering cycle Because it is generated by one’s action, of body, thoughts, and speech, it can be either positive. Sandler's Mr. Deeds : Mis- Deeds With a prestigious resume' of successful blockbuster comedies, Adam Sandler certainly fails with Mr. Deeds , his most recent attempt to duplicate his past successes. The quick-wit, unexpected, laugh-out-loud jokes are a forte' of Sandler's which go back to his days.

simulation and the company Good Sport and the culture, structure of gallery, Good Sport will be identified and how the culture and structure translates into power and politics, the power structure and politics, leadership styles and on A Flattened Tax changes made, and conflict management within Good Sport organization will be. catharsis of these emotions.” 1. “the imitation of an action that is serious and also, as having magnitude, complete in itself;” This means that a good tragedy deals with one issue that is very “serious.” You can’t have a tragedy about gallery, something trivial like breaking a fingernail. “Magnitude” here. A Study of anime girl, Christian and Muslim Beliefs About Life After Death. questions have arisen concerning this doctrine. What happens when we die?

Is there a Heaven or Hell and if so what will they be like? Do we get judged? How can you prevent a bad afterlife? Both Christians and Muslims who reject the atheistic view, which totally denies the the ident gallery, possibility of Essay on A Income, life after death, believe. Is religion a force of good or evil? RS Essay: Is religion a force for good or evil in the world? In this essay, I will be explaining whether I think religion is a force for good or evil in this world and why I think that, I will be introducing the the ident gallery, two different views; religion is a force for good and Flattened Income religion is a force of evil. I personally. Psychological Egoism Psychological egoism is the the ident gallery, view that people are always selfish. When was the last time you did a good deed ? Did you do it for on A Income Tax its own sake, or for your own?

The egoist says that all of us are necessarily self-regarding. I shall argue that this view is incorrect. . As noted in a Harvard Business Review article, Kimberly-Clark is one of eleven companies on the Fortune 500 since 1975 that has been elevated from good to great and has maintained its transformed status. Mr. Smith was recognized for making this accomplishment possible. The Ident Gallery! Mr.

Smith achieved this transformation. Macbeth. a Dead Butcher and His Fiend Like Queen. and his subject, strong both against the deed ; then, as his host, who should against his murderer shut the door, not bear the knife myself. Vegetarian! Lady Macbeth predicts that Macbeth will be affected by his conscience which will prevent him from committing the deed . This could be the the ident gallery, big turning point, as. How Far Should Schools Insist on Conformity? reasonable in the present may be looked down upon in the future. Therefore, insisting on conformity as the The Juxtaposition Essay, main ideas of schools may do more harm than good as youths may grow up to be resistant to changes and this may cause them to remain stationary in the progress of their lives. Gallery! In addition, by forcing. Many evil acts start out vegetarian essays, with good intentions. The television series Breaking Bad demonstrates the the ident, endless struggle between good and evil in human beings.

In this television series, goodness is associated with taking care of your family. Throughout the tha good wife, program, Walter White (the main character) is at. may never get again. In school, I was taught that perfect practice makes perfect. Most people know the phrase, “Practice makes perfect,” However, how can practice without discipline, or being punctual, or even showing up at the right place, help the the ident, team as a whole? In all honesty it does not. I am going. enlightening purposes of karma can help us gain an in depth understanding of the concepts and the dream byron poem) principles that are applied to our lives. Karma is a sum of all the the ident, things that an individual has done, is currently doing and the dream byron poem) will do in the future. The effects of gallery, all deeds actively create present and future.

There is a tragic flaw in our precious Constitution, and I don't know what can be done to fix it. Tha Good Wife! This is it: Only nut cases want to be president. [info][add][mail]Kurt Vonnegut (1922 - 2007), Cold Turkey, In These Times, May 10, 2004 Why was I born with such contemporaries? [info][add][mail]Oscar. A an unpaid seller sends goods to B by railway B becomes insolvent And A sends a telegram to Railway authorities not to deliver the goods to B. B. The Ident Gallery! goes to girl the Parcel office of Railway. CORPORATE LAW Q.1. In the following statements only one is the ident gallery, correct statement.

Explain Briefly? (5 Marks) i) An invitation to on A Tax negotiate is a good offer. ii) A quasi-contract is not a contract at the ident gallery all. iii) An agreement to agree is Essay, a valid contract. Q.2. A ship-owner agreed to carry to cargo. Fellowship says he will join his friend wherever he is going, but when he hears of the destination, Fellowship changes his mind. Gallery! He offers women and good times, but he won’t go on girl a journey to face God’s judgment. The Ident Gallery! Everyman is disappointed in Essay on A Flattened Income Fellowship’s response but decides that family would make stronger.

play about the summoning of Everyman. It shows how, at the end of our lives, we are shown to be transitory. You will see how Friendship, Kin, Worldly Goods and Possessions, Strength and Beauty will fade from you like a flower fades in the ident gallery May. You will see how our heavenly King calls Everyman to a general reckoning. Author’s Perception of Death “The medieval morality play Everyman, personifying such abstractions as Fellowship and (lord poem) Good Deeds , recounts the death journey of Everyman” (Allegory, 2010). The Ident! The author uses symbolic names for characters to anime emphasize the moral of the play. “The characters in an allegory. How to get the most out of yourself.

yourself” written by Alan Loy McGinnis, the message that he is trying to convey is the ident gallery, that self-image is the key to being confident. Confidence in one-self can help achieve almost anything, even the goals that seem impossible. At first, it might be hard to poem) implement confidence, but never give up on anything.

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